READING DISNEY CARTOONS

Imagery & Culture / Aristimuno/ Spring 2010

 

 

THIS EXAM IS DUE

AT THE BEGINNING OF CLASS

THURSDAY, MARCH 25 (yes, Thursday)

 

 

PART I:

Define each of the following concepts. (1 paragraph each, 5 points each answer: total 50 points)

For each term, you may quote from the author, but must elaborate on the definition in your own words to show you understand the concept.

 

From Stuart Hall:

  1. Connotation
  2. Intertextuality
  3. Representational Practices
  4. Difference & Otherness
  5. Stereotyping (as defined by Stuart Hall)
  6. At least one strategy of resistance and critical engagement leading to awareness and transformation.

 

  1. From M.C.Miller, why should we look at commercials closely?
  2. From H. Giroux, Give 3 reasons why we should analyze Disney texts critically. (10 points)
  3. From C. Adichie, what is the danger of ÒThe Single StoryÓ?

 

 

PART II: (Total 50 points this section) 4-6 pages

 

  1. Analyze the following 2 clips from THE LITTLE MERMAID through the filter of the three currents identified in class: white supremacy, patriarchy, and globalization/multinational capitalism. How does this case study from Disney embody the ideologies of white supremacy, patriarchy, and capitalism?

 

You should approach this question as an attorney making a case before a judge.

 ÒYour honor, in this essay I will prove that DisneyÕs film Little Mermaid embodies the ideologies of (1) white supremacy, (2) patriarchy, and (3) globalization/multinational capitalism.Ó

 

 

You should incorporate the terms from the previous section in you answer, making sure you show your understanding of them.

You may also refer to other cultural texts (images, ads, films, etc) discussed in class.

 

 

The Little Mermaid

 

Poor Unfortunate Soul

http://www.youtube.com/watch?v=Vi4o2cG_SsI

 

Under the Sea:

http://www.youtube.com/watch?v=jgA2xo0HYrE

 

In this video, a few suggested things to think about that may help you make your case

á        Look at how the Caribbean Other is constructed in comparison to the Non-Caribbean (American) Self (personified by Ariel).

á        What do the ÒCaribbeanizedÓ fish do? How do they speak? How do they act?

á        If Òup on the shore they work all dayÓ then what do they do under the sea?

á        Do you see a pattern between the music motif (Jungle Book, Jamaica, Under the Sea, the picture in Time magazine, images from Classified X, images identified by Hall)

á        How is the Caribbean represented as the place that provides raw materials (food) for ÒThe EmperorÓ? What does the King look like?  

 

 

Below are some additional clips that may also help you make your case.

Use them as evidence as you argue your case before the judge.

 

From Jungle Book ÒI Want to Be Like YouÓ

http://www.youtube.com/watch?v=4hdrcDDqRHk

 

From Dumbo

http://www.youtube.com/watch?v=GOcVkofa1AU

 

From Alladin

Arabian Nights Revised opening song

Be sure to read the original lyrics in GirouxÕs essay

http://youtube.com/watch?v=eEGlJP4X4vc

 

Spanish Version

http://www.youtube.com/watch?v=ktcigpl7L8M&feature=related

Ò"Y si all’ les caes mal te van a mutilar, quŽ barbarie pero es mi hogar!Ó

ÒIf there you fall they will mutilate you, what barbarians, but itÕs my home!Ó

 

A Whole New World (the one about the nice ride!)

http://youtube.com/watch?v=YRi20cWMYOM&feature=related

 

From The Lion King

Simba stumbles into the world of the hyenas.

http://www.youtube.com/watch?v=-KFDtCUAdqc