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Where you draw the NEW SEMI-CIRCLE depends on which side of the original line of action your PIVOT SHOT is taken From.

If you use camera A when Bob gets up, then the accepted positions must be in teh semi-circle in "part Three".
If you use camera B when Bob gets up, then the accepted positions must be in the semi-circle in "part Two" .

ALL ILLUSTRATIONS FROM STEPHEN KATZ's SHOT BY SHOT.This is an excellent textbook on directing, storyboarding, and compositional strategies. I highly recommend it.