Melville's Pierre Parkerized

This is a collection of passages deleted from Herschel Parker's edition of Pierre (Harper Collins, 1995). It runs to about 20,000 words, making a plain text file of 124K, slightly larger in HTML, and would require about 35 pages to print in 10 point Courier type. The present text, offered "as is" and only as a convenience, has not been proofed, spellchecked, regularized, formatted, or verified in any way.

Parker's rationale for his "Kraken Edition," intended to supplement rather than replace the standard NN edition, is set forth in his "Introduction" and "Note on the Text" (xi-x1vii). His entire "reconstucted text" is copyrighted by him. Parker is one of the general editors of the Northwestern-Newberry edition of Melville and is also the author of a multi-volume biography of Melville, Volume I of which has recently appeared.

The Kraken edition also contains a series of illustrations by Maurice Sendak which render as sexually explicit many of the "ambiguities" which Melville may have intended to leave as such in the text.

Heyward Ehrlich
Dept. of English, Rutgers Univ., Newark NJ 07102
ehrlich@andromeda.rutgers.edu


* * * [348]

Book XVII Young America In Literature

AMONG THE VARIOUS conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range. By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves. I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

In the earlier chapters of this volume, it has somewhere been passingly intimated, that Pierre was not only a reader of the poets and other fine writers, but likewise--and what is a very different thing from the other--a thorough allegorical understander of them, a profound emotional sympathizer with them; in other words, Pierre himself possessed the poetic nature; in himself absolutely, though but latently and floatingly, possessed every whit of the imaginative wealth which he so admired, when by vast pains-takings, and all manner of unrecompensed agonies, systematized on the printed page. Not that as yet his young and immature soul had been accosted by the Wonderful Mutes, and through the vast halls of Silent Truth, had been ushered into the full, secret, eternally inviolable Sanhedrim, where the Poetic Magi discuss, in glorious gibberish, the Alpha and Omega of the Universe. But among the beautiful imaginings of the second and third degree of poets, he freely and comprehendingly ranged.

But it still remains to be said, that Pierre himself had written many a fugitive thing, which had brought him, not only vast credit and compliments from his more immediate acquaintances, but the less partial applauses of the always intelligent, and extremely discriminating public. In short, Pierre had frequently done that, which many other boys have done-- published. Not in the imposing form of a book, but in the more modest and becoming way of occasional contributions to magazines and other polite periodicals. His magnificent and victorious debut had been made in that delightful love-sonnet, entitled "The Tropical Summer." Not only the public had applauded his gemmed little sketches of thought and fancy, whether in poetry or prose; but the high and mighty Campbell clan of editors of all sorts had bestowed upon him those generous commendations, which, with one instantaneous glance, they had immediately perceived was his due. They spoke in high terms of his surprising command of language; they begged to express their wonder at his euphonious construction of sentences; they regarded with reverence the pervading symmetry of his general style. But transcending even this profound insight into the deep merits of Pierre, they looked infinitely beyond, and confessed their complete inability to restrain their unqualified admiration for the highly judicious smoothness and genteelness of the sentiments and fancies expressed. "This writer," said one,--in an ungovernable burst of admiring fury--"is characterized throughout by Perfect Taste." Another, after endorsingly quoting that sapient, suppressed maxim of Dr. Goldsmith's, which asserts that whatever is new is false, went on to apply it to the excellent productions before him; concluding with this: "He has translated the unruffled gentleman from the drawing-room into the general levee of letters; he never permits himself to astonish; is never betrayed into any thing coarse or new; as assured that whatever astonishes is vulgar, and whatever is new must be crude. Yes, it is the glory of this admirable young author, that vulgarity and vigor-- two inseparable adjuncts--are equally removed from him."

A third, perorated a long and beautifully written review, by the bold and startling announcement--"This writer is unquestionably a highly respectable youth."

Nor had the editors of various moral and religious periodicals failed to render the tribute of their severer appreciation and more enviable, because more chary applause. A renowned clerical and philological conductor of a weekly publication of this kind, whose surprising proficiency in the Greek, Hebrew, and Chaldaic, to which he had devoted by far the greater part of his life, peculiarly fitted him to pronounce unerring judgment upon works of taste in the English, had unhesitatingly delivered himself thus:--"He is blameless in morals, and harmless throughout." Another, had unhesitatingly recommended his effusions to the family-circle. A third, had no reserve in saying, that the predominant end and aim of this author was evangelical piety.

A mind less naturally strong than Pierre's might well have been hurried into vast self-complacency, by such eulogy as this, especially as there could be no possible doubt, that the primitive verdict pronounced by the editors was irreversible, except in the highly improbable event of the near approach of the Millennium, which might establish a different dynasty of taste, and possibly eject the editors. It is true, that in view of the general practical vagueness of these panegyrics, and the circumstance that, in essence, they were all somehow of the prudently indecisive sort; and, considering that they were panegyrics, and nothing but panegyrics, without any thing analytical about them; an elderly friend of a literary turn, had made bold to say to our hero--"Pierre, this is very high praise, I grant, and you are a surprisingly young author to receive it; but I do not see any criticisms as yet."

"Criticisms?" cried Pierre, in amazement; "why, sir, they are all criticisms! I am the idol of the critics!"

"Ah!" sighed the elderly friend, as if suddenly reminded that that was true after all--"Ah!" and went on with his inoffensive, noncommittal cigar.

Nevertheless, thanks to the editors, such at last became the popular literary enthusiasm in behalf of Pierre, that two young men, recently abandoning the ignoble pursuit of tailoring for the more honorable trade of the publisher (probably with an economical view of working up in books, the linen and cotton shreds of the cutter's counter, after having been subjected to the action of the paper-mill), had on the daintiest scolloped-edged paper, and in the neatest possible, and fine-needle-work hand, addressed him a letter, couched in the following terms; the general style of which letter will sufficiently evince that, though--thanks to the manufacturer-- their linen and cotton shreds may have been very completely transmuted into paper, yet the cutters themselves were not yet entirely out of the metamorphosing mill.

"Hon. Pierre Glendinning,

"Revered Sir,

"The fine cut, the judicious fit of your productions fill us with amazement. The fabric is excellent--the finest broadcloth of genius. We have just started in business. Your pantaloons--productions, we mean--have never yet been collected. They should be published in the Library form. The tailors--we mean the librarians, demand it. Your name is now in its finest nap. Now--before the gloss is off--now is the time for the library form. We have recently received an invoice of Chamois--Russia leather. The library form should be a durable form. We respectfully offer to dress your amazing productions in the library form. If you please, we will transmit you a sample of the cloth--we mean a sample-page, with a pattern of the leather. We are ready to give you one tenth of the profits (less discount) for the privilege of arraying your wonderful productions in the library form:--you cashing the seamstresses'--printer's and binder's bills on the day of publication. An answer at your earliest convenience will greatly oblige,-- "Sir, your most obsequious servants,

WONDER & WEN.

"P.S.--We respectfully submit the enclosed block sheet, as some earnest of our intentions to do every thing in your behalf possible to any firm in the trade.

"N.B.--If the list does not comprise all your illustrious wardrobe--works, we mean , we shall exceedingly regret it. We have hunted through all the drawers magazines.

"Sample of a coat--title for the works of Glendinning:

                                 THE
                            COMPLETE WORKS
                                  OF
                              GLENDINNING
                               AUTHOR OF
    That world-famed production, "The Tropical Summer: a Sonnet."
          "The Weather: a Thought." "Life: an Impromptu."
          "The late Reverend Mark Graceman: an Obituary."
             "Honor: a Stanza." "Beauty: an Acrostic."
           "Edgar: an Anagram." "The Pippin: a Paragraph."
                         &c. &c. &c. &c.
                            &c. &c. &c.
                               &c. &c.
                                  &c."

From a designer, Pierre had received the following:

"Sir: I approach you with unfeigned trepidation. For though you are young in age, you are old in fame and ability. I can not express to you my ardent admiration of ~your works; nor can I but deeply regret that the productions of such graphic descriptive power, should be unaccompanied by the humbler illustrative labors of the designer. My services in this line are entirely at your command. I need not say how proud I should be, if this hint, on my part, however presuming, should induce you to reply in terms upon which I could found the hope of honoring myself and my profession by a few designs for the works of the illustrious Glendinning. But the cursory mention of your name here fills me with such swelling emotions, that I can say nothing more. I would only add, however, that not being at all connected with the Trade, my business situation unpleasantly forces me to make cash down on delivery of each design, the basis of all my professional arrangements. Your noble soul, however, would disdain to suppose, that this sordid necessity, in my merely business concerns, could ever impair

       "That profound private veneration and admiration
             "With which I unmercenarily am,
                    "Great and good Glendinning,
                           "Yours most humbly,
                                          "PETER PENCE."

These were stirring letters. The Library Form! an Illustrated Edition! His whole heart swelled.

But unfortunately it occurred to Pierre, that as all his writings were not only fugitive, but if put together could not possibly fill more than a very small duodecimo; therefore the Library Edition seemed a little premature, perhaps; possibly in a slight degree, preposterous. Then, as they were chiefly made up of little sonnets, brief meditative poems, and moral essays, the matter for the designer ran some small risk of being but meager. In his inexperience, he did not know that such was the great height of invention to which the designer's art had been carried, that certain gentlemen of that profession had gone to an eminent publishing-house with overtures for an illustrated edition of "Coke upon Lyttleton." Even the City Directory was beautifully illustrated with exquisite engravings of bricks, tongs, and flatirons.

Concerning the draught for the title-page, it must be confessed, that on seeing the imposing enumeration of his titles--long and magnificent as those preceding the proclamations of some German Prince (".") Pierre could not entirely repress a momentary feeling of elation. Yet did he also bow low under the weight of his own ponderosity, as the author of such a vast load of literature. It occasioned him some slight misgivings, however, when he considered, that already in his eighteenth year, his title-page should so immensely surpass in voluminous statisticals the simple page, which in his father's edition prefixed the vast speculations of Plato. Still, he comforted himself with the thought, that as he could not presume to interfere with the bill-stickers of the Gazelle Magazine, who every month covered the walls of the city with gigantic announcements of his name among the other contributors; so neither could he now--in the highly improbable event of closing with the offer of Messrs. Wonder and Wen--presume to interfere with the bill-sticking department of their business concern; for it was plain that they esteemed one's title-page but another unwindowed wall, infinitely more available than most walls, since here was at least one spot in the city where no rival bill-stickers dared to encroach. Nevertheless, resolved as he was to let all such bill-sticking matters take care of themselves, he was sensible of some coy inclination toward that modest method of certain kid-gloved and dainty authors, who scorning the vulgarity of a sounding parade, contented themselves with simply subscribing their name to the title-page; as confident, that that was sufficient guarantee to the notice of all true gentlemen of taste. It was for petty German princes to sound their prolonged titular flourishes. The Czar of Russia contented himself with putting the simple word "NICHOLAS" to his loftiest decrees.

This train of thought terminated at last in various considerations upon the subject of anonymousness in authorship. He regretted that he had not started his literary career under that mask. At present, it might be too late; already the whole universe knew him, and it was in vain at this late day to attempt to hood himself. But when he considered the essential dignity and propriety at all points, of the inviolably anonymous method, he could not but feel the sincerest sympathy for those unfortunate fellows, who, not only naturally averse to any sort of publicity, but progressively ashamed of their own successive productions--written chiefly for the merest cash--were yet cruelly coerced into sounding title-pages by sundry baker's and butcher's bills, and other financial considerations; inasmuch as the placard of the title-page indubitably must assist the publisher in his sales.

But perhaps the ruling, though not altogether conscious motive of Pierre in finally declining--as he did--the services of Messrs. Wonder and Wen, those eager applicants for the privilege of extending and solidifying his fame, arose from the idea that being at this time not very far advanced in years, the probability was, that his future productions might at least equal, if not surpass, in some small degree, those already given to the world. He resolved to wait for his literary canonization until he should at least have outgrown the sophomorean insinuation of the Law; which, with a singular affectation of benignity, pronounced him an "infant." His modesty obscured from him the circumstance, that the greatest lettered celebrities of the time, had, by the divine power of genius, become full graduates in the University of Fame, while yet as legal minors forced to go to their mammas for pennies wherewith to keep them in peanuts.

Not seldom Pierre's social placidity was ruffled by polite entreaties from the young ladies that he would be pleased to grace their Albums with some nice little song. We say that here his social placidity was ruffled; for the true charm of agreeable parlor society is, that there you lose your own sharp individuality and become delightfully merged in that soft social Pantheism, as it were, that rosy melting of all into one, ever prevailing in those drawing-rooms, which pacifically and deliciously belie their own name; inasmuch as there no one draws the sword of his own individuality, but all such ugly weapons are left--as of old--with your hat and cane in the hall. It was very awkward to decline the albums; but somehow it was still worse, and peculiarly distasteful for Pierre to comply. With equal justice apparently, you might either have called this his weakness or his idiosyncrasy. He summoned all his suavity, and refused. And the refusal of Pierre--according to Miss Angelica Amabilia of Ambleside--was sweeter than the compliance of others. But then--prior to the proffer of her album--in a copse at Ambleside, Pierre in a gallant whim had in the lady's own presence voluntarily carved Miss Angelica's initials upon the bark of a beautiful maple. But all young ladies are not Miss Angelicas. Blandly denied in the parlor, they courted repulse in the study. In lovely envelopes they dispatched their albums to Pierre, not omitting to drop a little attar-of-rose in the palm of the domestic who carried them. While now Pierre--pushed to the wall in his gallantry--shilly-shallied as to what he must do, the awaiting albums multiplied upon him; and by-and-by monopolized an entire shelf in his chamber; so that while their combined ornate bindings fairly dazzled his eyes, their excessive redolence all but made him to faint, though indeed, in moderation, he was very partial to perfumes. So that of really chilly afternoons, he was still obliged to drop the upper sashes a few inches.

The simplest of all things it is to write in a lady's album. But Cui Bono? Is there such a dearth of printed reading, that the monkish times must be revived, and ladies books be in manuscript? What could Pierre write of his own on Love or any thing else, that would surpass what divine Hafiz wrote so many long centuries ago? Was there not Anacreon too, and Catullus, and Ovid--all translated, and readily accessible? And then--bless all their souls!--had the dear creatures forgotten Tom Moore? But the handwriting, Pierre,--they want the sight of your hand. Well, thought Pierre, actual feeling is better than transmitted sight, any day. I will give them the actual feeling of my hand, as much as they want. And lips are still better than hands. Let them send their sweet faces to me, and I will kiss upon them forever and a day. This was a felicitous idea. He called Dates, and had the albums carried down by the basket-full into the dining- room. He opened and spread them all out upon the extensiontable there; then, modeling himself by the Pope, when His Holiness collectively blesses long crates of rosaries--he waved one devout kiss to the albums; and summoning three servants sent the albums all home, with his best compliments, accompanied with a confectioner's kiss for each album, rolled up in the most ethereal tissue.

From various quarters of the land, both town and country, and especially during the preliminary season of autumn, Pierre received various pressing invitations to lecture before Lyceums, Young Men's Associations, and other Literary and Scientific Societies. The letters conveying these invitations possessed quite an imposing and most flattering aspect to the unsophisticated Pierre. One was as follows:--

           "Urquhartian Club for the Immediate Extension
                   of the Limits of all Knowledge,
                        both Human and Divine.
                                       ZADOCKPRATTSVILLE,
                                       "June 11th, 18--.
  "Author of the 'Tropical Summer,' &c.

HONORED AND DEAR SIR:--

"Official duty and private inclination in this present case most delightfully blend. What was the ardent desire of my heart, has now by the action of the Committee on Lectures become professionally obligatory upon me. As Chairman of our Committee on Lectures, I hereby beg the privilege of entreating that you will honor this Society by lecturing before it on any subject you may choose, and at any day most convenient to yourself. The subject of Human Destiny we would respectfully suggest, without however at all wishing to impede you in your own unbiased selection.

"If you honor us by complying with this invitation, be assured, sir, that the Committee on Lectures will take the best care of you throughout your stay, and endeavor to make Zadockprattsville agreeable to you. A carriage will be in attendance at the Stage- house to convey yourself and luggage to the Inn, under full escort of the with the Chairman at their head.

              "Permit me to join my private homage
                   To my high official consideration for you
                        And to subscribe myself
                            Very humbly your servant,
                                                DONALD DUNDONALD 
                                 iii

But it was more especially the Lecture invitations coming from venerable, gray-headed metropolitan Societies, and indited by venerable gray-headed Secretaries, which far from elating filled the youthful Pierre with the sincerest sense of humility. Lecture? lecture? such a stripling as I lecture to fifty benches, with ten gray heads on each? five hundred gray heads in all! Shall my one, poor, inexperienced brain presume to lay down the law in a lecture to five hundred life-ripened understandings? It seemed too absurd for thought. Yet the five hundred, through their spokesman, had voluntarily extended this identical invitation to him. Then how could it be otherwise, than that an incipient Timonism should slide into Pierre, when he considered all the disgraceful inferences to be derived from such a fact. He called to mind, how that once upon a time, during a visit of his to the city, the police were called out to quell a portentous riot, occasioned by the vast press and contention for seats at the first lecture of an illustrious lad of nineteen, the author of "A Week at Coney Island."

It is needless to say that Pierre most conscientiously and respectfully declined all polite overtures of this sort.

Similar disenchantments of his cooler judgment did likewise deprive of their full lusciousness several other equally marked demonstrations of his literary celebrity. Applications for autographs showered in upon him; but in sometimes humorously gratifying the more urgent requests of these singular people Pierre could not but feel a pang of regret, that owing to the very youthful and quite unformed character of his handwriting, his signature did not possess that inflexible uniformity, which--for mere prudential reasons, if nothing more--should always mark the hand of illustrious men. His heart thrilled with sympathetic anguish for posterity, which would be certain to stand hopelessly perplexed before so many contradictory signatures of one supereminent name. Alas! posterity would be sure to conclude that they were forgeries all; that no chirographic relic of the sublime poet Glendinning survived to their miserable times.

From the proprietors of the Magazines whose pages were honored by his effusions, he received very pressing epistolary solicitations for the loan of his portrait in oil, in order to take an engraving therefrom, for a frontispiece to their periodicals. But here again the most melancholy considerations obtruded. It had always been one of the lesser ambitions of Pierre, to sport a flowing beard, which he deemed the most noble corporeal badge of the man, not to speak of the illustrious author. But as yet he was beardless; and no cunning compound of Rowland and Son could force a beard which should arrive at maturity in any reasonable time for the frontispiece. Besides, his boyish features and whole expression were daily changing. Would he lend his authority to this unprincipled imposture upon Posterity? Honor forbade.

These epistolary petitions were generally couched in an elaborately respectful style; thereby intimating with what deep reverence his portrait would be handled, while unavoidably subjected to the discipline indispensable to obtain from it the engraved copy they prayed for. But one or two of the persons who made occasional oral requisitions upon him in this matter of his engraved portrait, seemed less regardful of the inherent respect due to every man's portrait, much more, to that of a genius so celebrated as Pierre. They did not even seem to remember that the portrait of any man generally receives, and indeed is entitled to more reverence than the original man himself; since one may freely clap a celebrated friend on the shoulder, yet would by no means tweak his nose in his portrait. The reason whereof may be this: that the portrait is better entitled to reverence than the man; inasmuch as nothing belittling can be imagined concerning the portrait, whereas many unavoidably belittling things can be fancied as touching the man.

Upon one occasion, happening suddenly to encounter a literary acquaintance--a joint editor of the "Captain Kidd Monthly"--who suddenly popped upon him round a corner, Pierre was startled by a rapid--"Good-morning, good-morning;--just the man I wanted:--come, step round now with me, and have your Daguerreotype taken;--get it engraved then in no time;--want it for the next issue."

So saving, this chief mate of Captain Kidd seized Pierre's arm, and in the most vigorous manner was walking him off, like an officer a pickpocket, when Pierre civilly said--"Pray, sir, hold, if you please, I shall do no such thing."--"Pooh, pooh--must have it--public property--come along--only a door or two now."--"Public property!" rejoined Pierre, "that may do very well for the 'Captain Kidd Monthly;'--it's very Captain Kiddish to say so. But I beg to repeat that I do not intend to accede."--"Don't? Really?" cried the other, amazedly staring Pierre full in the countenance;--" why bless your soul, my portrait is published--long ago published!"-- "Can't help that, sir"--said Pierre. "Oh! come along, come along," and the chief mate seized him again with the most uncompunctious familiarity by the arm. Though the sweetest-tempered youth in the world when but decently treated, Pierre had an ugly devil in him sometimes, very apt to be evoked by the personal profaneness of gentlemen of the Captain Kidd school of literature. "Look you, my good fellow," said he, submitting to his impartial inspection a determinately double fist,--"drop my arm now--or I'll drop you. To the devil with you and your Daguerreotype!"

This incident, suggestive as it was at the time, in the sequel had a surprising effect upon Pierre. For he considered with what infinite readiness now, the most faithful portrait of any one could be taken by the Daguerreotype, whereas in former times a faithful portrait was only within the power of the moneyed, or mental aristocrats of the earth. How natural then the inference, that instead of, as in old times, immortalizing a genius, a portrait now only a dunce. Besides, when every body has his portrait published, true distinction lies in not having yours published at all. For if you are published along with Tom, Dick, and Harry, and wear a coat of their cut, how then are you distinct from Tom, Dick, and Harry? Therefore, even so miserable a motive as downright personal vanity helped to operate in this matter with Pierre.

Some zealous lovers of the general literature of the age, as well as declared devotees to his own great genius, frequently petitioned him for the materials wherewith to frame his biography. They assured him, that life of all things was most insecure. He might feel many years in him yet; time might go lightly by him; but in any sudden and fatal sickness, how would his last hours be embittered by the thought, that he was about to depart forever, leaving the world utterly unprovided with the knowledge of what were the precise texture and hue of the first trowsers he wore. These representations did certainly touch him in a very tender spot, not previously unknown to the schoolmaster. But when Pierre considered, that owing to his extreme youth, his own recollections of the past soon merged into all manner of half-memories and a general vagueness, he could not find it in his conscience to present such materials to the impatient biographers, especially as his chief verifying authority in these matters of his past career, was now eternally departed beyond all human appeal. His excellent nurse Clarissa had been dead four years and more. In vain a young literary friend, the well-known author of two Indexes and one Epic, to whom the subject happened to be mentioned, warmly espoused the cause of the distressed biographers; saying that however unpleasant, one must needs pay the penalty of celebrity; it was no use to stand back; and concluded by taking from the crown of his hat the proof-sheets of his own biography, which, with the most thoughtful consideration for the masses, was shortly to be published in the pamphlet form, price only a shilling.

It only the more bewildered and pained him, when still other and less delicate applicants sent him their regularly printed , with his name written in ink; begging him to honor them and the world with a neat draft of his life, including criticisms on his own writings; the printed circular indiscriminately protesting, that undoubtedly he knew more of his own life than any other living man; and that only he who had put together the great works of Glendinning could be fully qualified thoroughly to analyze them, and cast the ultimate judgment upon their remarkable construction.

Now, it was under the influence of the humiliating emotions engendered by things like the above; it was when thus haunted by publishers, engravers, editors, critics, autograph-collectors, portrait-fanciers, biographers, and petitioning and remonstrating literary friends of all sorts; it was then, that there stole into the youthful soul of Pierre melancholy forebodings of the utter unsatisfactoriness of all human fame; since the most ardent profferings of the most martyrizing demonstrations in his behalf,--these he was sorrowfully obliged to turn away

And it may well be believed, that after the wonderful vital world- revelation so suddenly made to Pierre at the Meadows--a revelation which, at moments, in some certain things, fairly Timonized him--he had not failed to clutch with peculiar nervous detestation and contempt that ample parcel, containing the letters of his Biographico and other silly correspondents, which, in a less ferocious hour, he had filed away as curiosities. It was with an almost infernal grin, that he saw that particular heap of rubbish eternally quenched in the fire, and felt that as it was consumed before his eyes, so in his soul was forever killed the last and minutest undeveloped microscopic germ of that most despicable vanity to which those absurd correspondents thought to appeal.

                               Book XVIII
               Pierre As A Juvenile Author, Reconsidered

INASMUCH AS BY various indirect intimations much more than ordinary natural genius has been imputed to Pierre, it may have seemed an inconsistency, that only the merest magazine papers should have been thus far the sole productions of his mind. Nor need it be added, that, in the soberest earnest, those papers contained nothing uncommon; indeed--entirely now to drop all irony, if hitherto any thing like that has been indulged in--those fugitive things of Master Pierre's were the veriest common-place.

It is true, as I long before said, that Nature at Saddle Meadows had very early been as a benediction to Pierre;--had blown her wind- clarion to him from the blue hills, and murmured melodious secrecies to him by her streams and her woods. But while nature thus very early and very abundantly feeds us, she is very late in tutoring us as to the proper methodization of our diet. Or,--to change the metaphor,--there are immense quarries of fine marble; but how to get it out; how to chisel it; how to construct any temple? Youth must wholly quit, then, the quarry, for awhile; and not only go forth, and get tools to use in the quarry, but must go and thoroughly study architecture. Now the quarry-discoverer is long before the stone- cutter; and the stone-cutter is long before the architect; and the architect is long before the temple; for the temple is the crown of the world.

Yes; Pierre was not only very unarchitectural at that time, but Pierre was very young, indeed, at that time. And it is often to be observed, that as in digging for precious metals in the mines, much earthy rubbish has first to be troublesomely handled and thrown out; so, in digging in one's soul for the fine gold of genius, much dullness and commonplace is first brought to light. Happy would it be, if the man possessed in himself some receptacle for his own rubbish of this sort: but he is like the occupant of a dwelling, whose refuse can not be clapped into his own cellar, but must be deposited in the street before his own door, for the public functionaries to take care of. No commonplace is ever effectually got rid of, except by essentially emptying one's self of it into a book; for once trapped in a book, then the book can be put into the fire, and all will be well. But they are not always put into the fire; and this accounts for the vast majority of miserable books over those of positive merit. Nor will any thoroughly sincere man, who is an author, ever be rash in precisely defining the period, when he has completely ridded himself of his rubbish, and come to the latent gold in his mine. It holds true, in every case, that the wiser a man is, the more misgivings he has on certain points.

It is well enough known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death. Certain it is, that if any inferences can be drawn from observations of the familiar lives of men of the greatest mark, their finest things, those which become the foolish glory of the world, are not only very poor and inconsiderable to themselves, but often positively distasteful; they would rather not have the book in the room. In minds comparatively inferior as compared with the above, these surmising considerations so sadden and unfit, that they become careless of what they write; go to their desks with discontent, and only remain there--victims to headache, and pain in the back--by the hard constraint of some social necessity. Equally paltry and despicable to them, are the works thus composed; born of unwillingness and the bill of the baker; the rickety offspring of a parent, careless of life herself, and reckless of the germ-life she contains. Let not the shortsighted world for a moment imagine, that any vanity lurks in such minds; only hired to appear on the stage, not voluntarily claiming the public attention; their utmost life-redness and glow is but rouge, washed off in private with bitterest tears; their laugh only rings because it is hollow; and the answering laugh is no laughter to them.

There is nothing so slipperily alluring as sadness; we become sad in the first place by having nothing stirring to do; we continue in it, because we have found a snug sofa at last. Even so, it may possibly be, that arrived at this quiet retrospective little episode in the career of my hero--this shallowly expansive embayed Tappan Zee of my otherwise deep-heady Hudson--I too begin to loungingly expand, and wax harmlessly sad and sentimental.

Now, what has been hitherto presented in reference to Pierre, concerning rubbish, as in some cases the unavoidable firstfruits of genius, is in no wise contradicted by the fact, that the first published works of many meritorious authors have given mature token of genius; for we do not know how many they previously published to the flames; or privately published in their own brains, and suppressed there as quickly. And in the inferior instances of an immediate literary success, in very young writers, it will be almost invariably observable, that for that instant success they were chiefly indebted to some rich and peculiar experience in life, embodied in a book, which because, for that cause, containing original matter, the author himself, forsooth, is to be considered original; in this way, many very original books, being the product of very unoriginal minds. Indeed, man has only to be but a little circumspect, and away flies the last rag of his vanity. The world is forever babbling of originality; but there never yet was an original man, in the sense intended by the world; the first man himself--who according to the Rabbins was also the first author--not being an original; the only original author being God. Had Milton's been the lot of Caspar Hauser, Milton would have been vacant as he. For though the naked soul of man doth assuredly contain one latent element of intellectual productiveness; yet never was there a child born solely from one parent; the visible world of experience being that procreative thing which impregnates the muses; self-reciprocally efficient hermaphrodites being but a fable.

There is infinite nonsense in the world on all of these matters; hence blame me not if I contribute my mite. It is impossible to talk or to write without apparently throwing oneself helplessly open; the Invulnerable Knight wears his visor down. Still, it is pleasant to chat; for it passes the time ere we go to our beds; and speech is further incited, when like strolling improvisatores of Italy, we are paid for our breath. And we are only too thankful when the gapes of the audience dismiss us with the few ducats we earn.

                                 ii

It may have been already inferred, that the pecuniary plans of Pierre touching his independent means of support in the city were based upon his presumed literary capabilities. For what else could he do? He knew no profession, no trade. Glad now perhaps might he have been, if Fate had made him a blacksmith, and not a gentleman, a Glendinning, and a genius. But here he would have been unpardonably rash, had he not already, in some degree, actually tested the fact, in his own personal experience, that it is not altogether impossible for a magazine contributor to Juvenile American literature to receive a few pence in exchange for his ditties. Such cases stand upon imperishable record, and it were both folly and ingratitude to disown them.

But since the fine social position and noble patrimony of Pierre, had thus far rendered it altogether unnecessary for him to earn the least farthing of his own in the world, whether by hand or by brain; it may seem desirable to explain a little here as we go. We shall do so, but always including, the preamble.

Sometimes every possible maxim or thought seems an old one; yet it is among the elder of the things in that unaugmentable stock, that never mind what one's situation may be, however prosperous and happy, he will still be impatient of it; he will still reach out of himself, and beyond every present condition. So, while many a poor be-inked galley- slave, toiling with the heavy oar of a quill, to gain something wherewithal to stave off the cravings of nature; and in his hours of morbid self-reproach, regarding his pa,try wages, at all events, as an unavoidable disgrace to him; while this galley-slave of letters would have leaped with delight--reckless of the feeble seams of his pantaloons--at the most distant prospect of inheriting the broad farms of Saddle Meadows, lord of an all-sufficing income, and forever exempt from wearing on his hands those treacherous plague-spots of indigence-- videlicet, blots from the inkstand;--Pierre himself, the undoubted and actual possessor of the things only longingly and hopelessly imagined by the other; the then top of Pierre's worldly ambition, was the being able to boast that he had written such matters as publishers would pay something for in the way of a mere business transaction, which they thought would prove profitable. Yet altogether weak and silly as this may seem in Pierre, let us preambillically examine a little further, and see if it be so indeed.

Pierre was proud; and a proud man--proud with the sort of pride now meant--ever holds but lightly those things, however beneficent, which he did not for himself procure. Were such pride carried out to its legitimate end, the man would eat no bread, the seeds whereof he had not himself put into the soil, not entirely without humiliation, that even that seed must be borrowed from some previous planter. A proud man likes to feel himself in himself, and not by reflection in others. He likes to be not only his own Alpha and Omega, but to be distinctly all the intermediate gradations, and then to slope off on his own spine either way, into the endless impalpable ether. What a glory it was then to Pierre, when first in his two gentlemanly hands he jingled the wages of labor! Talk of drums and the fife; the echo of coin of one's own earning is more inspiring than all the trumpets of Sparta. How disdainfuLly now he eyed the sumptuousness of his hereditary halls--the hangings, and the pictures, and the bragging historic armorials and the banners of the Glendinning renown; confident, that if need should come, he would not be forced to turn resurrectionist, and dig up his grandfather's Indian-chief grave for the ancestral sword and shield, ignominiously to pawn them for a living! He could live on himself. Oh, twice-blessed now, in the feeling of practical capacity, was Pierre.

The mechanic, the day-laborer, has but one way to live; his body must provide for his body. But not only could Pierre in some sort, do that; he could do the other, and letting his body stay lazily at home, send off his soul to labor, and his soul would come faithfully back and pay his body her wages. So, some unprofessional gentlemen of the aristocratic South, who happen to own slaves, give those slaves liberty to go and seek work, and every night return with their wages, which constitute those idle gentlemen's income. Both ambidexter and quadruple-armed is that man, who in a day-laborer's body, possesses a day-laboring soul. Yet let not such an one be overconfident. Our God is a jealous God; He wills not that any man should permanently possess the least shadow of His own self-sufficient attributes. Yoke the body to the soul, and put both to the plough, and the one or the other must in the end assuredly drop in the furrow. Keep, then, thy body effeminate for labor, and thy soul laboriously robust; or else thy soul effeminate for labor, and thy body laboriously robust. Elect! the two will not lastingly abide in one yoke. Thus over the most vigorous and soaring conceits, doth the cloud of Truth come stealing; thus doth the shot, even of a sixty-two-pounder pointed upward, light at last on the earth; for strive we how we may, we can not overshoot the earth's orbit, to receive the attractions of other planets; Earth's law of gravitation extends far beyond her own atmosphere.

In the operative opinion of this world, he who is already fully provided with what is necessary for him, that man shall have more; while he who is deplorably destitute of the same, he shall have taken away from him even that which he hath. Yet the world vows it is a very plain, downright matter-of-fact, plodding, humane sort of world. It is governed only by the simplest principles, and scorns all ambiguities, all transcendentals, and all manner of juggling. Now some imaginatively heterodoxical men are often surprisingly twitted upon their willful inverting of all common-sense notions, their absurd and all-displacing transcendentals, which say three is four, and two and two make ten. But if the eminent Jugglarius himself ever advocated in mere words a doctrine one thousandth part so ridiculous and subversive of all practical sense, as that doctrine which the world actually and eternally practices, of giving unto him who already hath more than enough, still more of the superfluous article, and taking away from him who hath nothing at all, even that which he hath,-- then is the truest book in the world a lie.

Wherefore we see that the so-called Transcendentalists are not the only people who deal in Transcendentals. On the contrary, we seem to see that the Utilitarians,--the everyday world's people themselves, far transcend those inferior Transcendentalists by their own incomprehensible worldly maxims. And--what is vastly more--with the one party, their Transcendentals are but theoretic and inactive, and therefore harmless; whereas with the other, they are actually clothed in living deeds.

The highly graveling doctrine and practice of the world above cited, had in some small degree been manifested in the case of Pierre. He prospectively possessed the fee of several hundred farms scattered over part of two adjoining counties; and now the proprietor of that popular periodical, the Gazelle Magazine, sent him several additional dollars for his sonnets That proprietor (though in sooth, he never read the sonnets, but referred them to his professional adviser; and was so ignorant, that, for a long time previous to the periodical's actually being started, he insisted upon spelling the Gazelle with a for the , as thus: ; maintaining, that in the Gazelle connection, the was a mere impostor, and that the was soft; for he was a judge of softness, and could speak from experience); that proprietor was undoubtedly a Transcendentalist; for did he not act upon the Transcendental doctrine previously set forth?

Now, the dollars derived from his ditties, these Pierre had always invested in cigars; so that the puffs which indirectly brought him his dollars were again returned, but as perfumed puffs; perfumed with the sweet leaf of Havanna. So that this highly-celebrated and world- renowned Pierre--the great author--whose likeness the world had never seen (for had he not repeatedly refused the world his likeness?), this ,famous poet, and philosopher, author of ";" against whose very life several desperadoes were darkly plotting (for had not the biographers sworn they would have it?); this towering celebrity--there he would sit smoking, and smoking, mild and self-festooned as a vapory mountain. It was very involuntarily and satisfactorily reciprocal. His cigars were lighted in two ways: lighted by the sale of his sonnets, and lighted by the printed sonnets themselves.

For even at that early time in his authorial life, Pierre, however vain of his fame, was not at all proud of his paper. Not only did he make allumettes of his sonnets when published, but was very careless about his discarded manuscripts; they were to be found lying all round the house; gave a great deal of trouble to the housemaids in sweeping; went for kindlings to the fires; and were forever flitting out of the windows, and under the door-sills, into the faces of people passing the manorial mansion. In this reckless, indifferent way of his, Pierre himself was a sort of publisher. It is true his more familiar admirers often earnestly remonstrated with him, against this irreverence to the primitive vestments of his immortal productions; saying, that whatever had once felt the nib of his mighty pen, was thenceforth sacred as the lips which had but once saluted the great toe of the Pope. But hardened as he was to these friendly censurings, Pierre never forbade that ardent appreciator of "The Tear," who, finding a small fragment of the original manuscript containing a dot (), over an i (), esteemed the significant event providential; and begged the distinguished favor of being permitted to have it for a brooch; and ousted a cameo-head of Homer, to replace it with the more invaluable gem. He became inconsolable, when being caught in a rain, the dot () disappeared from over the i (); so that the strangeness and wonderfulness of the sonnet was still conspicuous; in that though the least fragment of it could weep in a drought, yet did it become all tearless in a shower.

But this indifferent and supercilious amateur--deaf to the admiration of the world; the enigmatically merry and renowned author of "The Tear;" the pride of the Gazelle Magazine, on whose flaunting cover his name figured at the head of all contributors--(no small men either; for their lives had all been fraternally written by each other, and they had clubbed, and had their likenesses all taken by the aggregate job, and published on paper, all bought at one shop) this high- prestiged Pierre--whose future popularity and voluminousness had become so startlingly announced by what he had already written, that certain speculators came to the Meadows to survey its waterpower, if any, with a view to start a paper-mill expressly for the great author, and so monopolize his stationery dealings;--this vast being,--spoken of with awe by all merely youthful aspirants for fame; this age- neutralizing Pierre;--before whom an old gentleman of sixty-five, formerly librarian to Congress, on being introduced to him at the Magazine publishers', devoutly took off his hat, and kept it so, and remained standing, though Pierre was socially seated with his hat on;--this wonderful, disdainful genius--but only life-amateur as yet--is now soon to appear in a far different guise. He shall now learn, and very bitterly learn, that though the world worship Mediocrity and Common Place, yet hath it fire and sword for all contemporary Grandeur; that though it swears that it fiercely assails all Hypocrisy, yet hath it not always an ear for Earnestness.

And though this state of things, united with the ever multiplying freshets of new books, seems inevitably to point to a coming time, when the mass of humanity reduced to one level of dotage, authors shall be scarce as alchymists are today, and the printing-press be reckoned a small invention:--yet even now, in the foretaste of this let us hug ourselves, oh, my Aurelian! that though the age of authors be passing, the hours of earnestness shall remain!

[ end 348]

                               Book XIX
                      The Church Of The Apostles

* * *

                                 ii

* * * [356]

, and a wide board of the toughest live-oak, about six feet long, laid upon two upright empty flour-barrels, and loaded with a large bottle of ink, an unfastened bundle of quills, a penknife, a folder, and a still unbound ream of foolscap paper, significantly stamped, "Ruled; Blue."

* * *

[359] "How about the papers, my brother? Dost thou find every thing right? Hast thou decided upon what to publish first, while thou art writing the new thing thou didst hint of?"

"Look at that chest, my sister. Seest thou not that the cords are yet untied?"

"Then thou hast not been into it at all as yet?"

"Not at all, Isabel. In ten days I have lived ten thousand years. Forewarned now of the rubbish in that chest, I can not summon the heart to open it. Trash! Dross! Dirt!"

"Pierre! Pierre! what change is this? Didst thou not tell me, ere we came hither, that thy chest not only contained some silver and gold, but likewise far more precious things, readily convertible into silver and gold? Ah, Pierre, thou didst swear we had naught to fear!"

"If I have ever willfully deceived thee, Isabel, may the high gods prove Benedict Arnolds to me, and go over to the devils to reinforce them against me! But to have ignorantly deceived myself and thee together, Isabel; that is a very different thing. Oh, what a vile juggler and cheat is man! Isabel, in that chest are things which in the hour of composition, I thought the very heavens looked in from the windows in astonishment at their beauty and power. Then, afterward, when days cooled me down, and again I took them up and scanned them, some underlying suspicions intruded; but when in the open air, I recalled the fresh, unwritten images of the bunglingly written things; then I felt buoyant and triumphant again; as if by that act of ideal recalling, I had, forsooth, transferred the perfect ideal to the miserable written attempt at embodying it. This mood remained. So that afterward how I talked to thee about the wonderful things I had done; the gold and the silver mine I had long before sprung for thee and for me, who never were to come to want in body or mind. Yet all this time, there was the latent suspicion of folly; but I would not admit it; I shut my soul's door in its face. Yet now, the ten thousand universal revealings brand me on the forehead with fool! and like protested notes at the Bankers, all those written things of mine are jaggingly cut through and through with the protesting hammer of Truth!--Oh, I am sick, sick, sick!"

* * *

[372A]

                               Book XXI
               Pierre Immaturely Attempts A Mature Work

Tidings From The Meadows Plinlimmon

WE ARE NOW to behold Pierre permanently lodged in three lofty adjoining chambers of the Apostles. And passing on a little further in time, and overlooking the hundred and one domestic details, of how their internal arrangements were finally put into steady working order; how poor Delly, now giving over the sharper pangs of her grief, found in the lighter occupations of a handmaid and familiar companion to Isabel, the only practical relief from the memories of her miserable past; how Isabel herself in the otherwise occupied hours of Pierre, passed some of her time in mastering the chirographical incoherencies of his manuscripts, with a view to eventually copying them out in a legible hand for the printer; or went below stairs to the rooms of the Millthorpes, and in the modest and amiable society of the three young ladies and their excellent mother, found some little solace for the absence of Pierre; or, when his day's work was done, sat by him in the twilight, and played her mystic guitar till Pierre felt chapter after chapter born of its wondrous suggestiveness; but alas! eternally incapable of being translated into words; for where the deepest words end, there music begins with its supersensuous and all-confounding intimations.

Disowning now all previous exertions of his mind, and burning in scorn even those fine fruits of a carefree fancy, which, written at Saddle Meadows in the sweet legendary time of Lucy and her love, he had jealousy kept from the publishers, as too true and good to be published; renouncing all his foregone self, Pierre was now engaged in a comprehensive compacted work, to whose speedy completion two tremendous motives unitedly impelled;--the burning desire to deliver what he thought to be new, or at least miserably neglected Truth to the world; and the prospective menace of being absolutely penniless, unless by the sale of his book, he could realize money. Swayed to universality of thought by the widely-explosive mental tendencies of the profound events which had lately befallen him, and the unprecedented situation in which he now found himself; and perceiving, by presentiment, that most grand productions of the best human intellects ever are built round a circle, as atolls (i.e. the primitive coral islets which, raising themselves in the depths of profoundest seas, rise funnel-like to the surface, and present there a hoop of white rock, which though on the outside everywhere lashed by the ocean, yet excludes all tempests from the quiet lagoon within), digestively including the whole range of all that can be known or dreamed; Pierre was resolved to give the world a book, which the world should hail with surprise and delight. A varied scope of reading, little suspected by his friends, and randomly acquired by a random but lynx-eyed mind, in the course of the multifarious, incidental, bibliographic encounterings of almost any civilized young inquirer after Truth; this poured one considerable contributary stream into that bottomless spring of original thought which the occasion and time had caused to burst out in himself. Now he congratulated himself upon all his cursory acquisitions of this sort; ignorant that in reality to a mind bent on producing some thoughtful thing of absolute Truth, all mere reading is apt to prove but an obstacle hard to overcome; and not an accelerator helpingly pushing him along.

While Pierre was thinking that he was entirely transplanted into a new and wonderful element of Beauty and Power, he was, in fact, but in one of the stages of the transition. That ultimate element once fairly gained, then books no more are needed for buoys to our souls; our own strong limbs support us, and we float over all bottomlessnesses with a jeering impunity. He did not see,--or if he did, he could not yet name the true cause for it,--that already, in the incipiency of his work, the heavy unmalleable element of mere book-knowledge would not congenially weld with the wide fluidness and ethereal airiness of spontaneous creative thought. He would climb Parnassus with a pile of folios on his back. He did not see, that it was nothing at all to him, what other men had written; that though Plato was indeed a transcendently great man in himself, yet Plato must not be transcendently great to him (Pierre), so long, as he (Pierre himself) would also do something transcendently great. He did not see that there is no such thing as a standard for the creative spirit; that no one great book must ever be separately regarded, and permitted to domineer with its own uniqueness upon the creative mind; but that all existing great works must be federated in the fancy; and so regarded as a miscellaneous and Pantheistic whole; and then,--without at all dictating to his own mind, or unduly biasing it any way,--thus combined, they would prove simply an exhilarative and provocative to him. He did not see, that even when thus combined, all was but one small mite, compared to the latent infiniteness and inexhaustibility in himself; that all the great books in the world are but the mutilated shadowings-forth of invisible and eternally unembodied images in the soul; so that they are but the mirrors, distortedly reflecting to us our own things; and never mind what the mirror may be, if we would see the object, we must look at the object itself, and not at its reflection.

But, as to the resolute traveler in Switzerland, the Alps do never in one wide and comprehensive sweep, instantaneously reveal their full awfulness of amplitude--their overawing extent of peak crowded on peak, and spur sloping on spur, and chain jammed behind chain, and all their wonderful battalionings of might; so hath heaven wisely ordained, that on first entering into the Switzerland of his soul, man shall not at once perceive its tremendous immensity; lest illy prepared for such an encounter, his spirit should sink and perish in the lowermost snows. Only by judicious degrees, appointed of God, does man come at last to gain his Mont Blanc and take an overtopping view of these Alps; and even then, the tithe is not shown; and far over the invisible Atlantic, the Rocky Mountains and the Andes are yet unbeheld. Appalling is the soul of a man! Better might one be pushed off into the material spaces beyond the uttermost orbit of our sun, than once feel himself fairly afloat in himself !

But not now to consider these ulterior things, Pierre, though strangely and very newly alive to many before unregarded wonders in the general world; still, had he not as yet procured for himself that enchanter's wand of the soul, which but touching the humblest experiences in one's life, straightway it starts up all eyes, in every one of which are endless significancies. Not yet had he dropped his angle into the well of his childhood, to find what fish might be there; for who dreams to find fish in a well? the running stream of the outer world, there doubtless swim the golden perch and the pickerel! Ten million things were as yet uncovered to Pierre. The old mummy lies buried in cloth on cloth; it takes time to unwrap this Egyptian king. Yet now, forsooth, because Pierre began to see through the first superficiality of the world, he fondly weens he has come to the unlayered substance. But, far as any geologist has yet gone down into the world, it is found to consist of nothing but surface stratified on surface. To its axis, the world being nothing but superinduced superficies. By vast pains we mine into the pyramid; by horrible gropings we come to the central room; with joy we espy the sarcophagus; but we lift the lid--and no body is there!-- appallingly vacant as vast is the soul of a man!

                                 ii

He had been engaged some weeks upon his book

[end 372A]

* * * [372B]

and intent upon his literary enterprise

* * * [383]

when a thought of the vanity of his deep book would glidingly intrude;

* * * [ 387]

                               Book XXII
                 The Flower-Curtain Lifted From Before
                  A Tropical Author, With Some Remarks
              On The Transcendental Flesh-Brush Philosophy

SOME DAYS PASSED after the fatal tidings from the Meadows, and at length, somewhat mastering his emotions, Pierre again sits down in his chamber; for grieve how he will, yet work he must. And now day succeeds day, and week follows week, and Pierre still sits in his chamber. The long rows of cooled brick-kilns around him scarce know of the change; but from the fair fields of his great-great-great- grandfather's manor, Summer hath flown like a swallow-guest; the perfidious wight, Autumn, hath peeped in at the groves of the maple, and under pretense of clothing them in rich russet and gold, hath stript them at last of the slightest rag, and then ran away laughing; prophetic icicles depend from the arbors round about the old manorial mansion--now locked up and abandoned; and the little, round, marble table in the viny summerhouse where, of July mornings, he had sat chatting and drinking negus with his gay mother, is now spread with a shivering napkin of frost; sleety varnish hath encrusted that once gay mother's grave, preparing it for its final cerements of wrapping snow upon snow; wild howl the winds in the woods: it is Winter. Sweet Summer is done; and Autumn is done; but the book, like the bitter winter, is yet to be finished.

That season's wheat is long garnered, Pierre; that season's ripe apples and grapes are in; no crop, no plant, no fruit is out; the whole harvest is done. Oh, woe to that belated winter-overtaken plant, which the summer could not bring to maturity! The drifting winter snows shall whelm it. Think, Pierre, doth not thy plant belong to some other and tropical clime? Though transplanted to northern Maine, the orange-tree of the Floridas will put forth leaves in that parsimonious summer, and show some few tokens of fruitage; yet November will find no golden globes thereon; and the passionate old lumberman~ December, shall peel the whole tree, wrench it off at the ground, and toss it for a fagot to some limekiln. Ah, Pierre, Pierre, make haste! make haste! force thy fruitage, lest the winter force thee.

Watch yon little toddler, how long it is learning to stand by itself! First it shrieks and implores, and will not try to stand at all, unless both father and mother uphold it; then a little more bold, it must, at least, feel one parental hand, else again the cry and the tremble; long time is it ere by degrees this child comes to stand without any support. But, by-and-by, grown up to man's estate, it shall leave the very mother that bore it, and the father that begot it, and cross the seas, perhaps, or settle in far Oregon lands. There now, do you see the soul. In its germ on all sides it is closely folded by the world, as the husk folds the tenderest fruit; then it is born from the world-husk, but still now outwardly clings to it;-- still clamors for the support of its mother the world, and its father the Deity. But it shall yet learn to stand independent though not without many a bitter wail, and many a miserable fall.

That hour of the life of a man when first the help of humanity fails him, and he learns that in his obscurity and indigence humanity holds him a dog and no man: that hour is a hard one, but not the hardest. There is still another hour which follows, when he learns that in his infinite comparative minuteness and abjectness, the gods do likewise despise him, and own him not of their clan. Divinity and humanity then are equally willing that he should starve in the street for all that either will do for him. Now cruel father and mother have both let go his hand, and the little soul-toddler, now you shall hear his shriek and his wail, and often his fall.

When at Saddle Meadows, Pierre had wavered and trembled in those first wretched hours ensuing upon the receipt of Isabel's letter; then humanity had let go the hand of Pierre, and therefore his cry; but when at last inured to this, Pierre was seated at his book, willing that humanity should desert him, so long as he thought he felt a far higher support; then, ere long, he began to feel the utter loss of that other support, too; ay, even the paternal gods themselves did now desert Pierre; the toddler was toddling entirely alone, and not without shrieks.

If man must wrestle, perhaps it is well that it should be on the nakedest possible plain.

The three chambers of Pierre at the Apostles' were connecting ones. The first--having a little retreat where Delly slept--was used for the more exacting domestic purposes: here also their meals were taken; the second was the chamber of Isabel; the third was the closet of Pierre. In the first--the dining room, as they called it--there was a stove which boiled the water for their coffee and tea, and where Delly concocted their light repasts. This was their only fire; for, warned again and again to economize to the uttermost, Pierre did not dare to purchase any additional warmth. But by prudent management, a very little warmth may go a great way. In the present case, it went some forty feet or more. A horizontal pipe, after elbowing away from above the stove in the dining-room, pierced the partition wall, and passing straight through Isabel's chamber, entered the closet of Pierre at one corner, and then abruptly disappeared into the wall, where all further caloric--if any--went up through the chimney into the air, to help warm the December sun Now, the great distance of Pierre's calorical stream from its fountain, sadly impaired it, and weakened it. It hardly had the flavor of heat. It would have had but very inconsiderable influence in raising the depressed spirits of the most mercurial thermometer; certainly it was not very elevating to the spirits of Pierre. Besides, this calorical stream, small as it was, did not flow through the room, but only entered it, to elbow right out of it, as some coquettish maidens enter the heart; moreover, it was in the furthest corner from the only place where, with a judicious view to the light, Pierre's desk-barrels and board could advantageously stand. Often, Isabel insisted upon his having a separate stove to himself; but Pierre would not listen to such a thing. Then Isabel would offer her own room to him; saying it was of no indispensable use to her by day; she could easily spend her time in the dining-room; but Pierre would not listen to such a thing: he would not deprive her of the comfort of a continually accessible privacy; besides, he was now used to his own room, and must sit by that particular window there, and no other. Then Isabel would insist upon keeping her connecting door open while Pierre was employed at his desk, that so the heat of her room might bodily go into his; but Pierre would not listen to such a thing: because he must be religiously locked up while at work; outer love and hate must alike be excluded then. In vain Isabel said she would make not the slightest noise, and muffle the point of the very needle she used. All in vain. Pierre was inflexible here.

Yes, he was resolved to battle it out in his own solitary closet; though a strange, transcendental conceit of one of the more erratic and nonconforming Apostles,--who was also at this time engaged upon a profound work above stairs, and who denied himself his full sufficiency of food, in order to insure an abundant fire;--the strange conceit of this Apostle, I say,--accidentally communicated to Pierre,--that, through all the kingdoms of Nature, caloric was the great universal producer and vivifyer, and could not be prudently excluded from the spot where great books were in the act of creation; and therefore, he (the Apostle) for one, was resolved to plant his head in a hot-bed of stove-warmed air, and so force his brain to germinate and blossom, and bud, and put forth the eventual, crowning, victorious flower;--though indeed this conceit rather staggered Pierre--for in truth, there was no small smack of plausible analogy in it--yet one thought of his purse would wholly expel the unwelcome intrusion, and reinforce his own previous resolve.

However lofty and magnificent the movements of the stars; whatever celestial melodies they may thereby beget; yet the astronomers assure us that they are the most rigidly methodical of all the things that exist. No old housewife goes her daily domestic round with one millionth part the precision of the great planet Jupiter in his stated and unalterable revolutions. He has found his orbit, and stays in it; he has timed himself, and adheres to his periods. So, in some degree with Pierre, now revolving in the troubled orbit of his book.

Pierre rose moderately early; and the better to inure himself to the permanent chill of his room, and to defy and beard to its face, the cruelest cold of the outer air; he would--behind the curtain--throw down the upper sash of his window; and on a square of old painted canvas, formerly wrapping some bale of goods in the neighborhood, treat his limbs, of those early December mornings, to a copious ablution, in water thickened with incipient ice. Nor, in this stoic performance, was he at all without company,--not present, but adjoiningly sympathetic; for scarce an Apostle in all those scores and scores of chambers, but undeviatingly took his daily December bath. Pierre had only to peep out of his pane and glance round the multi- windowed, inclosing walls of the quadrangle, to catch plentiful half- glimpses, all round him, of many a lean, philosophical nudity, refreshing his meager bones with crash-towel and cold water. "Quick be the play," was their motto: "Lively our elbows, and nimble all our tenuities." Oh, the dismal echoings of the raspings of flesh-brushes, perverted to the filing and polishing of the merest ribs! Oh, the shudder-some splashings of pails of ice-water over feverish heads, not unfamiliar with aches! Oh, the rheumatical cracklings of rusted joints, in that defied air of December! for every thick-frosted sash was down, and every lean nudity courted the zephyr!

Among all the innate, hyena-like repellants to the reception of any set form of a spiritually-minded and pure archetypical faith, there is nothing so potent in its skeptical tendencies, as that inevitable perverse ridiculousness, which so often bestreaks some of the essentially finest and noblest aspirations of those men, who disgusted with the common conventional quackeries, strive, in their clogged terrestrial humanities, after some imperfectly discerned, but heavenly ideals: ideals, not only imperfectly discerned in themselves, but the path to them so little traceable, that no two minds will entirely agree upon it.

Hardly a new-light Apostle, but who, in superaddition to his revolutionary scheme for the minds and philosophies of men, entertains some insane, heterodoxical notions about the economy of his body. His soul, introduced by the gentlemanly gods, into the supernal society,--practically rejects that most sensible maxim of men of the world, who chancing to gain the friendship of any great character, never make that the ground of boring him with the supplemental acquaintance of their next friend, who perhaps, is some miserable ninny. Love me, love my dog, is only an adage for the old countrywomen who affectionately kiss their cows. The gods love the soul of a man; often, they will frankly accost it; but they abominate his body; and will forever cut it dead, both here and hereafter. So, if thou wouldst go to the gods, leave thy dog of a body behind thee. And most impotently thou strivest with thy purifying cold baths, and thy diligent scrubbings with flesh-brushes, to prepare it as a meet offering for their altar. Nor shall all thy Pythagorean and Shellian dietings on apple-parings, dried prunes, and crumbs of oatmeal cracker, ever fit thy body for heaven. Feed all things with food convenient for them,--that is, if the food be procurable. The food of thy soul is light and space; feed it then on light and space. But the food of thy body is champagne and oysters, feed it then on champagne and oysters; and so shall it merit a joyful resurrection, if there is any to be. Say, wouldst thou rise with a lantern jaw and a spavined knee? Rise with brawn on thee, and a most royal corporation before thee; so shalt thou in that day claim respectful attention. Know this: that while many a consumptive dietarian has but produced the merest literary flatulencies to the world; convivial authors have alike given utterance to the sublimest wisdom, and created the least gross and most ethereal forms. And for men of demonstrative muscle and action, consider that right royal epitaph which Cyrus the Great caused to be engraved on his tomb--"I could drink a great deal of wine, and it did me a great deal of good." Ah, foolish! to think that by starving thy body, thou shalt fatten thy soul! Is yonder ox fatted because yonder lean fox starves in the winter wood? And prate not of despising thy body, while still thou flourishest thy flesh-brush! The finest houses are most cared for within; the outer walls are freely left to the dust and the soot. Put venison in thee, and so wit shall come out of thee. It is one thing in the mill, but another in the sack.

Now it was the continual, quadrangular example of those forlorn fellows, the Apostles, who, in this period of his half-developments and transitions, had deluded Pierre into the Flesh-Brush Philosophy, and had almost tempted him into the Apple-Parings Dialectics. For all the long wards, corridors~ and multitudinous chambers of the Apostles' were scattered with the stems of apples, the stones of prunes, and the shells of peanuts. They went about huskily muttering the Kantian Categories through teeth and lips dry and dusty as any miller's, with the crumbs of Graham crackers. A tumbler of cold water was the utmost welcome to their reception rooms; at the grand supposed Sanhedrim presided over by one of the deputies of Plotinus Plinlimmon, a huge jug of Adam's Ale, and a bushel-basket of Graham crackers were the only convivials. Continually bits of cheese were dropping from their pockets, and old shiny apple parchments were ignorantly exhibited every time they drew out a manuscript to read you. Some were curious in the vintages of waters; and in three glass decanters set before you, Fairmount, Croton, and Cochituate; they held that Croton was the most potent, Fairmount a gentle tonic, and Cochituate the mildest and least inebriating of all. Take some more of the Croton, my dear sir! Be brisk with the Fairmount! Why stops that Cochituate? So on their philosophical tables went round their Port, their Sherry, and their Claret.

Some, further advanced, rejected mere water in the bath, as altogether too coarse an element; and so, took to the Vapor-baths, and steamed their lean ribs every morning. The smoke which issued from their heads, and overspread their pages, was prefigured in the mists that issued from under their door-sills and out of their windows. Some could not sit down of a morning until after first applying the Vapor- bath outside, and then thoroughly rinsing out their interiors with five cups of cold Croton. They were as faithfully replenished fire- buckets; and could they, standing in one cordon, have consecutively pumped themselves into each other, then the great fire of 1835 had been far less widespread and disastrous.

Ah! ye poor lean ones! ye wretched Soakites and Vaporites! have not your niggardly fortunes enough rinsed ye out, and wizened ye, but ye must still be dragging the hose-pipe, and throwing still more cold Croton on yourselves and the world? Ah! attach the screw of your hose- pipe to some fine old butt of Madeira! pump us some sparkling wine into the world! see, see, already, from all eternity, two-thirds of it have lain helplessly soaking!

                                 ii

With cheek rather pale, then, and lips rather blue, Pierre sits down to his plank.

But is Pierre packed in the mail for St. Petersburg this morning? Over his boots are his moccasins; over his ordinary coat is his surtout; and over that, a cloak of Isabel's. Now he is squared to his plank; and at his hint, the affectionate Isabel gently pushes his chair closer to it, for he is so muffled, he can hardly move of himself. Now Delly comes in with bricks hot from the stove; and now Isabel and she with devoted solicitude pack away these comforting stones in the folds of an old blue cloak, a military garment of the grandfather of Pierre, and tenderly arrange it both over and under his feet; but putting the warm flagging beneath. Then Delly brings still another hot brick to put under his inkstand, to prevent the ink from thickening. Then Isabel drags the camp-bedstead nearer to him, on which are the two or three books he may possibly have occasion to refer to that day, with a biscuit or two, and some water, and a clean towel, and a basin. Then she leans against the plank by the elbow of Pierre, a crook-ended stick. Is Pierre a shepherd, or a bishop, or a cripple? No, but he has in effect, reduced himself to the miserable condition of the last. With the crook-ended cane, Pierre-- unable to rise without sadly impairing his manifold intrenchments, and admitting the cold air into their innermost nooks,--Pierre, if in his solitude, he should chance to need any thing beyond the reach of his arm, then the crook-ended cane drags it to his immediate vicinity.

Pierre glances slowly all round him; every thing seems to be right; he looks up with a grateful, melancholy satisfaction at Isabel; a tear gathers in her eye; but she conceals it from him by coming very close to him, stooping over, and kissing his brow. 'Tis her lips that leave the warm moisture there; not her tears, she says.

"I suppose I must go now, Pierre. Now don't, don't be so long today. I will call thee at half-past four. Thou shalt not strain thine eyes in the twilight."

"We will about that," says Pierre, with an unobserved attempt at a very sad pun. "Come, thou must go. Leave me."

And there he is left.

Pierre is young; heaven gave him the divinest, freshest form of a man; put light into his eye, and fire into his blood, and brawn into his arm, and a joyous, jubilant, overflowing, up-bubbling, universal life in him everywhere. Now look around in that most miserable room, and at that most miserable of all the pursuits of a man, and say if here be the place, and this be the trade, that God intended him for. A rickety chair, two hollow barrels, a plank, paper, pens, and infernally black ink, four leprously dingy white walls, no carpet, a cup of water, and a dry biscuit or two. Oh, I hear the leap of the Texan Camanche, as at this moment he goes crashing like a wild deer through the green underbrush; I hear his glorious whoop of savage and untamable health; and then I look in at Pierre. If physical, practical unreason make the savage, which is he? Civilization, Philosophy, Ideal Virtue! behold your victim!

                                 iii

Some hours pass. Let us peep over the shoulder of Pierre, and see what it is he is writing there, in that most melancholy closet. Here, topping the reeking pile by his side, is the last sheet from his hand, the frenzied ink not yet entirely dry. It is much to our purpose; for in this sheet, he seems to have directly plagiarized from his own experiences, to fill out the mood of his apparent author-hero, Vivia, who thus soliloquizes: "A deep-down, unutterable mournfulness is in me. Now I drop all humorous or indifferent disguises, and all philosophical pretensions. I own myself a brother of the clod, a child of the Primeval Gloom. Hopelessness and despair are over me, as pall on pall. Away, ye chattering apes of a sophomorean Spinoza and Plato, who once didst all but delude me that the night was day, and pain only a tickle. Explain this darkness, exorcise this devil, ye can not. Tell me not, thou inconceivable coxcomb of a Goethe, that the universe can not spare thee and thy immortality, so long as--like a hired waiter--thou makest thyself 'generally useful.' Already the universe gets on without thee, and could still spare a million more of the same identical kidney. Corporations have no souls, and thy Pantheism, what was that? Thou wert but the pretensious, heartless part of a man. Lo! I hold thee in this hand, and thou art crushed in it like an egg from which the meat hath been sucked."

Here is a slip from the floor.

"Whence flow the panegyrical melodies that precede the march of these heroes? From what but from a sounding brass and a tinkling cymbal!"

And here is a second.

"Cast thy eye in there on Vivia; tell me why those four limbs should be clapt in a dismal jail--day out, day in--week out, week in--month out, month in--and himself the voluntary jailer! Is this the end of philosophy? This the larger and spiritual life? This your boasted empyrean? Is it for this that a man should grow wise, and leave off his most excellent and calumniated folly?"

And here is a third.

"Cast thy eye in there on Vivia; he, who in the pursuit of the highest health of virtue and truth, shows but a pallid cheek! Weigh his heart in thy hand, oh, thou gold-laced, virtuoso Goethe! and tell me whether it does not exceed thy standard weight!"

And here is a fourth.

"Oh God, that man should spoil and rust on the stalk, and be wilted and threshed ere the harvest hath come! And oh God, that men that call themselves men should still insist on a laugh! I hate the world, and could trample all lungs of mankind as grapes, and heel them out of their breath, to think of the woe and the cant,--to think of the Truth and the Lie! Oh! blessed be the twenty-first day of December, and cursed be the twenty-first day of June!"

From these random slips, it would seem, that Pierre is quite conscious of much that is so anomalously hard and bitter in his lot, of much that is so black and terrific in his soul. Yet that knowing his fatal condition does not one whit enable him to change or better his condition. Conclusive proof that he has no power over his condition. For in tremendous extremities human souls are like drowning men; well enough they know they are in peril; well enough they know the causes of that peril;--nevertheless, the sea is the sea, and these drowning men do drown.

                                 iv

From eight o'clock in the morning till halt:past tour in the evening, Pierre sits there in his room;--eight hours and a half !

From throbbing neck-bands, and swinging belly-bands of gay-hearted horses, the sleigh-bells chimingly jingle;--but Pierre sits there in his room; Thanksgiving comes, with its glad thanks, and crisp turkeys;--but Pierre sits there in his room; soft through the snows, on tinted Indian moccasin, Merry Christmas comes stealing;--but Pierre sits there in his room; it is New-Year's, and like a great flagon, the vast city over-brims at all curb-stones, wharves, and piers, with bubbling jubilations;--but Pierre sits there in his room:--Nor jingling sleigh-bells at throbbing neck-band, or swinging belly-band; nor glad thanks, and crisp turkeys of Thanksgiving; nor tinted Indian moccasin of Merry Christmas softly stealing through the snows; nor New-Year's curb-stones, wharves, and piers, over-brimming with bubbling jubilations:--Nor jingling sleigh-bells, nor glad Thanksgiving, nor Merry Christmas, nor jubilating New Year's:--Nor Bell, Thank, Christ, Year;--none of these are for Pierre. In the midst of the merriments of the mutations of Time, Pierre hath ringed himself in with the grief of Eternity. Pierre is a peak inflexible in the heart of Time, as the isle-peak, Piko, stands unassaultable in the midst of waves.

He will not be called to; he will not be stirred. Sometimes the intent ear of Isabel in the next room, overhears the alternate silence, and then the long lonely scratch of his pen. It is, as if she heard the busy claw of some midnight mole in the ground. Sometimes, she hears a low cough, and sometimes the scrape of his crook-handled cane.

Here surely is a wonderful stillness of eight hours and a half, repeated day after day. In the heart of such silence, surely something is at work. Is it creation, or destruction? Builds Pierre the noble world of a new book? or does the Pale Haggardness unbuild the lungs and the life in him?--Unutterable, that a man should be thus!

When in the meridian flush of the day, we recall the black apex of night; then night seems impossible; this sun can never r go down. Oh that the memory of the uttermost gloom as an a,ready tasted thing to the dregs, should be no security against its return. One may be passably well one day, but the next, he may sup at black broth with Pluto.

Is there then all this work to one book, which shall be read in a very few hours; and, far more frequently, utterly skipped in one second; and which, in the end, whatever it be, must undoubted,y go to the worms?

Not so; that which now absorbs the time and the life of Pierre, is not the book, but the primitive elementalizing of the strange stuff, which in the act of attempting that book, has upheaved and upgushed in his soul. Two books are being writ; of which the world shall only see one, and that the bungled one. The larger book, and the infinitely better, is for Pierre's own private shelf. That it is, whose unfathomable cravings drink his blood; the other only demands his ink. But circumstances have so decreed, that the one can not be composed on the paper, but only as the other is writ down in his soul. And the one of the soul is elephantinely sluggish, and will not budget at a breath. Thus Pierre is fastened on by two leeches; --how then can the life of Pierre last? Lo! he is fitting himself for the highest life, by thinning his blood and collapsing his heart. He is learning how to live, by rehearsing the part of death.

Who shall tell all the thoughts and feelings of Pierre in that desolate and shivering room, when at last the idea obtruded, that the wiser and the profounder he should grow, the more and the more he lessened the chances for bread; that could he now hurl his deep book out of the window, and fall to on some shallow nothing of a novel, composable in a month at the longest, then could he reasonably hope for both appreciation and cash. But the devouring profundities, now opened up in him, consume all his vigor; would he, he could not now be entertainingly and profitably shallow in some pellucid and merry romance. Now he sees, that with every accession of the persona, divine to him, some great landslide of the genera, surrounding divineness slips from him, and falls crashing away. Said I not that the gods, as well as mankind, had unhanded themselves from this Pierre? So now in him you behold the baby toddler I spoke of; forced now to stand and toddle alone.

Now and then he turns to the camp-bed, and wetting his towel in the basin, presses it against his brow. Now he leans back in his chair, as if to give up; but again bends over and plods.

Twilight draws on, the summons of Isabel is heard from the door; the poor, frozen, blue-lipped, soul-shivering traveler for St. Petersburg is unpacked; and for a moment stands toddling on the floor. Then his hat, and his cane, and out he sallies for fresh air. A most comfortless staggering of a stroll! People gaze at him passing, as at some imprudent sick man, willfully burst from his bed. If an acquaintance is met, and would say a pleasant newsmonger's word in his ear, that acquaintance turns from him, affronted at his hard aspect of icy discourtesy. "Bad-hearted," mutters the man, and goes on.

He comes back to his chambers, and sits down at the neat table of Delly; and Isabel soothingly eyes him, and presses him to eat and be strong. But his is the famishing which loathes all food. He can not eat but by force. He has assassinated the natural day; how then can he eat with an appetite? If he lays him down, he can not sleep; he has waked the infinite wakefulness in him; then how can he slumber? Still his book, like a vast lumbering planet, revolves in his aching head. He can not command the thing out of its orbit; fain would be behead himself, to gain one night's repose. At last the heavy hours move on; and sheer exhaustion overtakes him, and he lies still--not asleep as children and day-laborers sleep--but he lies still from his throbbings, and for that interval holdingly sheaths the beak of the vulture in his hand, and lets it not enter his heart.

Morning comes; again the dropt sash, the icy water, the flesh-brush, the breakfast, the hot bricks, the ink, the pen, the from-eight- o'clock-to-half-past-four, and the whole general inclusive hell of the same departed day.

Ah! shivering thus day after day in his wrappers and cloaks, is this the warm lad that once sung to the world of the Tropical Summer?

[ end 387]

* * * [389A]

Not to speak of his being devoured by the all-exacting theme of his book,

* * *[389B]

his flagging faculties seeking a momentary respite;

* * * [390]

this book makes me mad.

* * * [395]

from his plank; cast off his manifold wrappings,

* * * [401]

well, my boy, how comes on the Inferno? That is it you are writing; one is apt to look black while writing Infernoes; you always loved Dante. My lad! I have finished ten metaphysical treatises; argued five cases before the court; attended all our society's meetings; accompanied our great Professor, Monsieur Volvoon, the lecturer, through his circuit in the philosophical saloons, sharing all the honors of his illustrious triumph; and by the way, let me tell you, Volvoon secretly gives me even more credit than is my due; for 'pon my soul, I did not help write more than one half, at most, of his Lectures; edited--anonymously, though--a learned, scientific work on 'The Precise Cause of the Modifications in the Undulatory Motion in Waves,' a posthumous work of a poor fellow--fine lad he was, too--a friend of mine. Yes, here I have been doing all this, while you still are hammering away at that one poor plaguy Inferno! Oh, there's a secret in dispatching these things; patience! patience! you will yet learn the secret. Time! time! I can't teach it to you, my boy, but Time can: I wish I could, but I can't."

* * * [402A]

"you are in the Inferno dream yet.

* * * [402B]

Going to paint and illustrate the Inferno, as you go along, I suppose. Well, my friends tell me it is a great pity my own things aint illustrated. But I can't afford it. There now is that Hymn to the Niger, which I threw into a pigeonhole, a year or two ago--that would be fine for illustrations."

* * * [404]

"if you aint writing an Inferno, then

* * * [419 Chapter Title]

                          Pierre At His Book
                               Enceladus

* * * [430]

Meantime Pierre was still going on with his book; every moment becoming still the more sensible of the intensely inauspicious circumstances of all sorts under which that labor was proceeding. And as the now advancing and concentring enterprise demanded more and more compacted vigor from him, he felt that he was having less and less to bring to it. For not only was it the signal misery of Pierre, to be invisibly--though but accidentally--goaded, in the hour of mental immaturity, to the attempt at a mature work,--a circumstance sufficiently lamentable in itself; but also, in the hour of his clamorous pennilessness, he was additionally goaded into an enterprise long and protracted in the execution, and of all things least calculated for pecuniary profit in the end. How these things were so, whence they originated, might be thoroughly and very beneficially explained; but space and time here forbid.

At length, domestic matters--rent and bread--had come to such a pass with him, that whether or no, the first pages must go to the printer; and thus was added still another tribulation; because the printed pages now dictated to the following manuscript, and said to all subsequent thoughts and inventions of Pierre--. Therefore, was his book already limited, bound over and committed to imperfection, even before it had come to any confirmed form or conclusion at all. Oh, who shall reveal the horrors of poverty in authorship that is high? While the silly Millthorpe was railing against his delay of a few weeks and months; how bitterly did unreplying Pierre feel in his heart, that to most of the great works of humanity, their authors had given, not weeks and months, not years and years, but their wholly surrendered and dedicated lives. On either hand clung to by a girl who would have laid down her life for him; Pierre, nevertheless, in his deepest, highest part, was utterly without sympathy from any thing divine, human, brute, or vegetable. One in a city of hundreds of thousands of human beings, Pierre was solitary as at the Pole.

And the great woe of all was this: that all these things were unsuspected without, and undivulgible from within; the very daggers that stabbed him were joked at by Imbecility, Ignorance, Blockheadedness, Self-Complacency, and the universal Blearedness and Besottedness around him. Now he began to feel that in him, the thews of a Titan were forestallingly cut by the scissors of Fate. He felt as a moose, hamstrung. All things that think, or move, or lie still, seemed as created to mock and torment him. He seemed gifted with loftiness, merely that it might be dragged down to the mud. Still, the profound willfulness in him would not give up. Against the breaking heart, and the bursting head; against all the dismal lassitude, and deathful faintness and sleeplessness, and whirlingness, and craziness, still he like a demigod bore up. His soul's ship foresaw the inevitable rocks, but resolved to sail on, and make a courageous wreck. Now he gave jeer for jeer, and taunted the apes that jibed him. With the soul of an Atheist, he wrote down the godliest things; with the feeling of misery and death in him, he created forms of gladness and life. For the pangs in his heart, he put down hoots on the paper. And every thing else he disguised under the so conveniently adjustable drapery of all-stretchable Philosophy. For the more and the more that he wrote, and the deeper and the deeper that he dived, Pierre saw the everlasting elusiveness of Truth; the universal lurking insincerity of even the greatest and purest written thoughts. Like knavish cards, the leaves of all great books were covertly packed. He was but packing one set the more; and that a very poor jaded set and pack indeed. So that there was nothing he more spurned, than his own aspirations; nothing he more abhorred than the loftiest part of himself. The brightest success, now seemed intolerable to him, since he so plainly saw, that the brightest success could not be the sole offspring of Merit; but of Merit for the one thousandth part, and nine hundred and ninety-nine combining and dovetailing accidents for the rest. So beforehand he despised those laurels which in the very nature of things, can never be impartially bestowed. But while thus all the earth was depopulated of ambition for him; still circumstances had put him in the attitude of an eager contender for renown. So beforehand he felt the unrevealable sting of receiving either plaudits or censures, equally unsought for, and equally loathed ere given. So, beforehand he felt the pyramidical scorn of the genuine loftiness for the whole infinite company of infinitesimal critics. His was the scorn which thinks it not worth the while to be scornful. Those he most scorned, never knew it. In that lonely little closet of his, Pierre foretasted all that this world hath either of praise or dispraise; and thus foretasting both goblets, anticipatingly hurled them both in its teeth. All panegyric, all denunciation, all criticism of any sort, would come too late for Pierre.

But man does never give himself up thus, a doorless and shutterless house for the four loosened winds of heaven to howl through, without still additional dilapidations. Much oftener than before, Pierre laid back in his chair with the deadly feeling of faintness. Much oftener than before, came staggering home from his evening walk, and from sheer bodily exhaustion economized the breath that answered the anxious inquiries as to what might be done for him. And as if all the leagued spiritual inveteracies and malices, combined with his general bodily exhaustion, were not enough, a special corporeal affliction now descended like a sky-hawk upon him. His incessant application told upon his eyes. They became so affected, that some days he wrote with the lids nearly closed, fearful of opening them wide to the light. Through the lashes he peered upon the paper, which so seemed fretted with wires. Sometimes he blindly wrote with his eyes turned away from the paper;--thus unconsciously symbolizing the hostile necessity and distaste, the former whereof made of him this most unwilling states- prisoner of letters.

As every evening, after his day's writing was done, the proofs of the beginning of his work came home for correction, Isabel would read them to him. They were replete with errors; but preoccupied by the thronging, and undiluted, pure imaginings of things, he became impatient of such minute, gnat-like torments; he randomly corrected the worst, and let the rest go; jeering with himself at the rich harvest thus furnished to the entomological critics.

But at last he received a tremendous interior intimation, to hold off--to be still from his unnatural struggle.

In the earlier progress of his book, he had found some relief in making his regular evening walk through the greatest thoroughfare of the city; that so, the utter isolation of his soul, might feel itself the more intensely from the incessant jogglings of his body against the bodies of the hurrying thousands. Then he began to be sensible of more fancying stormy nights, than pleasant ones; for then, the great thoroughfares were less thronged, and the innumerable shop-awnings flapped and beat like schooners' broad sails in a gale, and the shutters banged like lashed bulwarks; and the slates fell hurtling like displaced ship's blocks from aloft. Stemming such tempests through the deserted streets, Pierre felt a dark, triumphant joy; that while others had crawled in fear to their kennels, he alone defied the storm-admiral, whose most vindictive peltings of hail- stones,--striking his iron-framed fiery furnace of a body,--melted into soft dew, and so, harmlessly trickled from off him.

By-and-by, of such howling, pelting nights, he began to bend his steps down the dark, narrow side-streets, in quest of the more secluded and mysterious taprooms. There he would feel a singular satisfaction, in sitting down all dripping in a chair, ordering his half-pint of ale before him, and drawing over his cap to protect his eyes from the light, eye the varied faces of the social castaways, who here had their haunts from the bitterest midnights.

But at last he began to feel a distaste for even these; and now nothing but the utter night-desolation of the obscurest warehousing lanes would content him, or be at all sufferable to him. Among these he had now been accustomed to wind in and out every evening; till one night as he paused a moment previous to turning about for home, a sudden, unwonted, and all-pervading sensation seized him. He knew not where he was; he did not have any ordinary life-feeling at all. He could not see; though instinctively putting his hand to his eves~ he seemed to feel that the lids were open. Then he was sensible of a combined blindness, and vertigo, and staggering; before his eyes a million green meteors danced; he felt his foot tottering upon the curb, he put out his hands, and knew no more for the time. When he came to himself he found that he was lying crosswise in the gutter, dabbled with mud and slime. He raised himself to try if he could stand; but the fit was entirely gone. Immediately he quickened his steps homeward, forbearing to rest or pause at all on the way, lest that rush of blood to his head, consequent upon his sudden cessation from walking, should again smite him down. This circumstance warned him away from those desolate streets, lest the repetition of the fit should leave him there to perish by night in unknown and unsuspected loneliness. But if that terrible vertigo had been also intended for another and deeper warning, he regarded such added warning not at all; but again plied heart and brain as before.

But now at last since the very blood in his body had in vain rebelled against his Titanic soul; now the only visible outward symbols of that soul--his eyes--did also turn downright traitors to him, and with more success than the rebellious blood. He had abused them so recklessly, that now they absolutely refused to look on paper. He turned them on paper, and they blinked and shut. The pupils of his eyes rolled away from him in their own orbits. He put his hand up to them, and sat back in his seat. Then, without saying one word, he continued there for his usual term, suspended, motionless, blank.

But next morning--it was some few days after the arrival of Lucy--still feeling that a certain downright infatuation, and no less, is both unavoidable and indispensable in the composition of any great, deep book, or even any wholly unsuccessful attempt at any great, deep book; next morning he returned to the charge. But again the pupils of his eyes rolled away from him in their orbits: and now a general and nameless torpor--some horrible foretaste of death itself--seemed stealing upon him.

                                  iv

During this state of semi-unconsciousness, or rather trance, a remarkable dream or vision came to him. The actual artificial objects around him slid from him, and were replaced by a baseless yet most imposing spectacle of natural scenery. But though a baseless vision in itself, this airy spectacle assumed very familiar features to Pierre. It was the phantasmagoria of the Mount of the Titans, a singular height standing quite detached in a wide solitude not far from the grand range of dark blue hills encircling his ancestral manor.

Say what some poets will, Nature is not so much her own ever-sweet interpreter, as the mere supplier of that cunning alphabet, whereby selecting and combining as he pleases, each man reads his own peculiar lesson according to his own peculiar mind and mood. Thus a high- aspiring, but most moody, disappointed bard, chancing once to visit the Meadows and beholding that fine eminence, christened it by the name it ever after bore; completely extinguishing its former title--The Delectable Mountain--one long ago bestowed by an old Baptist farmer, an hereditary admirer of Bunyan and his most marvelous book. From the spell of that name the mountain never afterward escaped; for now, gazing upon it by the light of those suggestive syllables, no poetical observer could resist the apparent felicity of the title. For as if indeed the immemorial mount would fain adapt itself to its so recent name, some people said that it had insensibly changed its pervading aspect within a score or two of winters. Nor was this strange conceit entirely without foundation, seeing that the annual displacements of huge rocks and gigantic trees were continually modifying its whole front and general contour.

On the north side, where it fronted the old Manor-house, some fifteen miles distant, the height, viewed from the piazza of a soft haze- canopied summer's noon, presented a long and beautiful, but not entirely inaccessible-looking purple precipice, some two thousand feet in air, and on each hand sideways sloping down to lofty terraces of pastures.

Those hill-side pastures, be it said, were thickly sown with a small white amaranthine flower, which, being irreconcilably distasteful to the cattle, and wholly rejected by them, and yet, continually multiplying on every hand, did by no means contribute to the agricultural value of those elevated lands. Insomuch, that for this cause, the disheartened dairy tenants of that part of the Manor, had petitioned their lady-landlord for some abatement in their annual tribute of upland grasses, in the Juny-load; rolls of butter in the October crock; and steers and heifers on the October hoof; with turkeys in the Christmas sleigh.

"The small white flower, it is our bane!" the imploring tenants cried. "The aspiring amaranth, every year it climbs and adds new terraces to its sway! The immortal amaranth, it will not die, but last year's flowers survive to this! The terraced pastures grow glittering white, and in warm June still show like banks of snow:--fit token of the sterileness the amaranth begets! Then free us from the amaranth, good lady, or be pleased to abate our rent!"

Now, on a somewhat nearer approach, the precipice did not belie its purple promise from the manorial piazza;--that sweet imposing purple promise, which seemed fully to vindicate the Bunyanish old title originally bestowed;--but showed the profuse aerial foliage of a hanging forest. Nevertheless, coming still more nigh, long and frequent rents among the mass of leaves revealed horrible glimpses of dark-dripping rocks, and mysterious mouths of wolfish caves. Struck by this most unanticipated view, the tourist now quickened his impulsive steps to verify the change by coming into direct contact with so chameleon a height. As he would now speed on, the lower ground, which from the manor-house piazza seemed all a grassy level, suddenly merged into a very long and weary acclivity, slowly rising close up to the precipice's base; so that the efflorescent grasses rippled against it, as the efflorescent waves of some great swell or long rolling billow ripple against the water-line of a steep gigantic warship on the sea. And, as among the rolling sea-like sands of Egypt, disordered rows of broken Sphinxes lead to the Cheopian pyramid itself; so this long acclivity was thickly strewn with enormous rocky masses, grotesque in shape, and with wonderful features on them, which seemed to express that slumbering intelligence visible in some recumbent beasts-- beasts whose intelligence seems struck dumb in them by some sorrowful and inexplicable spell. Nevertheless, round and round those still enchanted rocks, hard by their utmost rims, and in among their cunning crevices, the misanthropic hill-scaling goat nibbled his sweetest food; for the rocks, so barren in themselves, distilled a subtile moisture, which fed with greenness all things that grew about their igneous marge.

Quitting those recumbent rocks, you still ascended toward the hanging forest, and piercing within its lowermost fringe, then suddenly you stood transfixed, as a marching soldier confounded at the sight of an impregnable redoubt, where he had fancied it a practicable vault to his courageous thews. Cunningly masked hitherto, by the green tapestry of the interlacing leaves, a terrific towering palisade of dark mossy massiness confronted you; and, trickling with unevaporable moisture, distilled upon you from its beetling brow slow thunder-showers of water-drops, chill as the last dews of death. Now you stood and shivered in that twilight, though it were high noon and burning August down the meads. All round and round, the grim scarred rocks rallied and re-rallied themselves; shot up, protruded, stretched, swelled, and eagerly reached forth; on every side bristlingly radiating with a hideous repellingness. Tossed, and piled, and indiscriminate among these, like bridging rifts of logs up-jammed in alluvial-rushing streams of far Arkansas: or, like great masts and yards of overwhelmed fleets hurled high and dashed amain, all splintering together, on hovering ridges of the Atlantic sea,-- you saw the melancholy trophies which the North Wind, championing the unquenchable quarrel of the Winter, had wrested from the forests, and dismembered them on their own chosen battleground, in barbarous disdain. 'Mid this spectacle of wide and wanton spoil, insular noises of falling rocks would boomingly explode upon the silence and fright all the echoes, which ran shrieking in and out among the caves, as wailing women and children in some assaulted town.

Stark desolation; ruin, merciless and ceaseless; chills and gloom,--all here lived a hidden life, curtained by that cunning purpleness, which, from the piazza of the manor house, so beautifully invested the mountain once called Delectable, but now styled Titanic.

Beaten off by such undreamed-of glooms and steeps, you now sadly retraced your steps, and, mayhap, went skirting the inferior sideway terraces of pastures; where the multiple and most sterile inodorous immortalness of the small, white flower furnished no aliment for the mild cow's meditative cud. But here and there you still might smell from far the sweet aromaticness of clumps of catnip, that dear farmhouse herb. Soon you would see the modest verdure of the plant itself; and wheresoever you saw that sight, old foundation stones and rotting timbers of log-houses long extinct would also meet your eye; their desolation illy hid by the green solicitudes of the unemigrating herb. Most fitly named the catnip; since, like the unrunagate cat, though all that's human forsake the place, that plant will long abide, long bask and bloom on the abandoned hearth. Illy hid; for every spring the amaranthine and celestial flower gained on the mortal household herb; for every autumn the catnip died, but never an autumn made the amaranth to wane. The catnip and the amaranth!--man's earthly household peace, and the ever-encroaching appetite for God.

No more now you sideways followed the sad pasture's skirt, but took your way adown the long declivity, fronting the mystic height. In mid field again you paused among the recumbent sphinx-like shapes thrown off from the rocky steep. You paused; fixed by a form defiant, a form of awfulness. You saw Enceladus the Titan, the most potent of all the giants, writhing from out the imprisoning earth;--turbaned with upborne moss he writhed; still, though armless, resisting with his whole striving trunk, the Pelion and the Ossa hurled back at him;--turbaned with upborne moss he writhed; still turning his unconquerable front toward that majestic mount eternally in vain assailed by him, and which, when it had stormed him off, had heaved his undoffable incubus upon him, and deridingly left him there to bay out his ineffectual howl.

To Pierre this wondrous shape had always been a thing of interest, though hitherto all its latent significance had never fully and intelligibly smitten him. In his earlier boyhood a strolling company of young collegian pedestrians had chanced to light upon the rock; and, struck with its remarkableness, had brought a score of picks and spades, and dug round it to unearth it, and find whether indeed it were a demoniac freak of nature, or some stern thing of antediluvian art. Accompanying this eager party, Pierre first beheld that deathless son of Terra. At that time, in its untouched natural state, the statue presented nothing but the turbaned head of igneous rock rising from out the soil, with its unabasable face turned upward toward the mountain, and the bull-like neck clearly defined. With distorted features, scarred and broken, and a black brow mocked by the upborne moss, Enceladus there subterraneously stood, fast frozen into the earth at the junction of the neck. Spades and picks soon heaved part of his Ossa from him, till at last a circular well was opened round him to the depth of some thirteen feet. At that point the wearied young collegians gave over their enterprise in despair. With all their toil, they had not yet come to the girdle of Enceladus. But they had bared good part of his mighty chest, and exposed his mutilated shoulders, and the stumps of his once audacious arms. Thus far uncovering his shame, in that cruel plight they had abandoned him, leaving stark naked his in vain indignant chest to the defilements of the birds, which for untold ages had cast their foulness on his vanquished crest.

Not unworthy to be compared with that leaden Titan, wherewith the art of Marsy and the broad-flung pride of Bourbon enriched the enchanted gardens of Versailles;--and from whose still twisted mouth for sixty feet the waters yet upgush, in elemental rivalry with those Etna flames, of old asserted to be the malicious breath of the borne-down giant;--not unworthy to be compared with that leaden demigod--piled with costly rocks, and with one bent wrenching knee protruding from the broken bronze;--not unworthy to be compared with that bold trophy of high art, this American Enceladus, wrought by the vigorous hand of Nature's self, it did go further than compare;--it did far surpass that fine figure molded by the inferior skill of man. Marsy gave arms to the eternally defenseless; but Nature, more truthful, performed an amputation, and left the impotent Titan without one serviceable ball- and-socket above the thigh.

Such was the wild scenery--the Mount of Titans, and the repulsed group of heaven-assaulters, with Enceladus in their midst shamefully recumbent at its base;--such was the wild scenery, which now to Pierre, in his strange vision, displaced the four blank walls, the desk, and camp-bed, and domineered upon his trance. But no longer petrified in all their ignominious attitudes, the herded Titans now sprung to their feet; flung themselves up the slope; and anew battered at the precipice's unresounding wall. Foremost among them all, he saw a moss-turbaned, armless giant, who despairing of any other mode of wreaking his immitigable hate, turned his vast trunk into a battering- ram, and hurled his own arched-out ribs again and yet again against the invulnerable steep.

"Enceladus! it is Enceladus!"--Pierre cried out in his sleep. That moment the phantom faced him; and Pierre saw Enceladus no more; but on the Titan's armless trunk, his own duplicate face and features magnifiedly gleamed upon him with prophetic discomfiture and woe. With trembling frame he started from his chair, and woke from that ideal horror to all his actual grief.

                                  v

Nor did Pierre's random knowledge of the ancient fables tail still further to elucidate the vision which so strangely had supplied a tongue to muteness. But that elucidation was most repulsively fateful and foreboding; possibly because Pierre did not leap the final barrier of gloom; possibly because Pierre did not willfully wrest some final comfort from the fable; did not flog this stubborn rock as Moses his, and force even aridity itself to quench his painful thirst.

Thus smitten, the Mount of Titans seems to yield this following stream:--

Old Titan's self was the son of incestuous Coelus and Terra, the son of incestuous Heaven and Earth. And Titan married his mother Terra, another and accumulatively incestuous match. And thereof Enceladus was one issue. So Enceladus was both the son and grandson of an incest; and even thus, there had been born from the organic blended heavenliness and earthliness of Pierre, another mixed, uncertain, heaven-aspiring, but still not wholly earth-emancipated mood; which again, by its terrestrial taint held down to its terrestrial mother, generated there the present doubly incestuous Enceladus within him; so that the present mood of Pierre--that reckless sky-assaulting mood of his, was nevertheless on one side the grandson of the sky. For it is according to eternal fitness, that the precipitated Titan should still seek to regain his paternal birthright even by fierce escalade. Wherefore whoso storms the sky gives best proof he came from thither! But whatso crawls contented in the moat before that crystal fort, shows it was born within that slime, and there forever will abide.

Recovered somewhat from the after-spell of this wild vision folded in his trance, Pierre composed his front as best he might, and straightway left his fatal closet. Concentrating all the remaining stuff in him, he resolved by an entire and violent change, and by a willful act against his own most habitual inclinations, to wrestle with the strange malady of his eves, this new death-fiend of the trance, and this Inferno of his Titanic vision.

And now, just as he crossed the threshold of the closet, he writhingly strove to assume an expression intended to be not uncheerful--though how indeed his countenance at all looked, he could not tell; for dreading some insupportably dark revealments in his glass, he had of late wholly abstained from appealing to it--and in his mind he rapidly conned over, what indifferent, disguising, or lighthearted gamesome things he should say, when proposing to his companions the little design he cherished.

And even so, to grim Enceladus, the world the gods had chained for a ball to drag at his o'erfreighted feet;--even so that globe put forth a thousand flowers, whose fragile smiles disguised his ponderous load.

[end 430]

-* * * [431a]

evoked by Pierre's unforeseen proposition to give himself some relaxation--

* * * [431B]

"It is finished, then," cried Isabel,--not unmindful of this by- scene, and passionately stepping forward so as to intercept Pierre's momentary rapt glance at the agitated Lucy,--"That vile book, it is finished!--Thank Heaven!"

"Not so," said Pierre; and, displacing all disguisements, a hectic unsummoned expression suddenly came to his face;-- "but ere that vile book be finished, I must get on some other element than earth. I have sat on earth's saddle till I am weary; I must now vault over to the other saddle awhile. Oh, seems to me, there should be two ceaseless steeds for a bold man to ride,--the Land and the Sea; and like circus- men we should never dismount, but only be steadied and rested by leaping from one to the other, while still, side by side, they both race round the sun. I have been on the Land steed so long, oh I am dizzy!"

"Thou wilt never listen to me, Pierre," said Lucy lowly; "there is no need of this incessant straining. See, Isabel and I have both offered to be thy amanuenses;--not in mere copying, but in the original writing; I am sure that would greatly assist thee."

"Impossible! I fight a duel in which all seconds are forbid."

"Ah Pierre! Pierre!" cried Lucy, dropping the shawl in her hand, and gazing at him with unspeakable longings of some unfathomable emotion.

Namelessly glancing at Lucy, Isabel slid near to him, seized his hand and spoke.

"I would go blind for thee, Pierre; here, take out these eyes, and use them for glasses." So saying, she looked with a strange momentary haughtiness and defiance at Lucy.

A general half involuntary movement was now made, as if they were about to depart.

"Ye are ready; go ye before"--said Lucy meekly; "I will follow."

"Nay, one on each arm"--said Pierre--"come!"

* * * [ 438]

especially since he had got so deep into the inventional mysteries of his book.

* * * [ 441A]

two letters

* * * [441B]

separately

* * * [441C]

letters. They were lying with their sealed sides up; one in either hand, he lifted them; and held them straight out sideways from him.

"I see not the writing; know not yet, by mine own eye, that they are meant for me; yet, in these hands I feel that I now hold the final poniards that shall stab me; and by stabbing me, make too a most swift stabber in the recoil. Which point first?--this!"

He tore open the left-hand letter:--

"SIR:--YOU are a swindler. Upon the pretense of writing a popular novel for us, you have been receiving cash advances from us, while passing through our press the sheets of a blasphemous rhapsody, filched from the vile Atheists, Lucian and Voltaire. Our great press of publication has hitherto prevented our slightest inspection of our reader's proofs of your book. Send not another sheet to us. Our bill for printing thus far, and also for our cash advances, swindled out of us by you. is now in the hands of our lawyer, who is instructed to proceed with instant rigor.

                             (Signed) STEEL, FLINT & ASBESTOS."

He folded the left-hand letter, and put it beneath his left heel, and stood upon it so; and then opened the right-hand letter.

* * * [444A]

He folded the right-hand letter, and put it beneath his right heel; then folding his two arms, stood upon both the letters.

"These are most small circumstances; but happening just now to me, become indices to all immensities. For now am I hate-shod! On these I will skate to my acquittal! No longer do I hold terms with aught.

* * * [444B]

--Now, then, where is this swindler's, this coiner's book? Here, on this vile counter, over which the coiner thought to pass it to the world, here will I nail it fast, for a detected cheat! And thus nailed fast now, do I spit upon it, and so get the start of the wise world's worst abuse of it! Now I go out to meet my fate, walking toward me in the street."


[end]