L.
---------- Forwarded message ----------
Date: Thu, 15 May 1997 06:56:04
From: Richard Thieme <rthieme@thiemeworks.com>
To: rthieme@thiemeworks.com
Subject: an Islands in the Clickstream *special edition*
dear friends and colleagues ... "Hacking Chinatown" is a cursory glimpse of
the "underside" of the computer world. The flavor is film noir, Philip
Marlowe, and the streets of my home town, Chicago. Originally written for
South Africa Computer Magazine, it was re-published by the Computer
Underground Digest and, as here, CTHEORY,
a forum for exploration at the edge of the known digital world. [Some
paragrpahs/modules have been included from previous columns].
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CTHEORY THEORY, TECHNOLOGY AND CULTURE VOL 20, NO 1-2
Article 46 97/05/14 Editors: Arthur and Marilouise Kroker
_____________________________________________________________________
Hacking Chinatown
=================
~Richard Thieme~
"Forget it, Jake. It's Chinatown."
Those are the last words of the movie _Chinatown_, just before the
police lieutenant shouts orders to the crowd to clear the streets so
the body of an innocent woman, murdered by the Los Angeles police,
can be removed.
_Chinatown_, with Jack Nicholson as Jake Gittes, is a fine film: it
defines an era (the thirties in the United States) and a genre - film
noir - that is a unique way to frame reality.
"Film noir" is a vision of a world corrupt to the core in which
nevertheless it is still possible, as author Raymond Chandler said of
the heroes of the best detective novels, to be "a man of honor. Down
these mean streets a man must go who is not himself mean, who is
neither tarnished nor afraid."
"Chinatown" also defines life in the virtual world - that consensual
hallucination we have come to call "cyberspace." The virtual world is
a simulation of the "real world." The "real world" too is a symbolic
construction, a set of nested structures that - as we peel them away
in the course of our lives - reveals more and more complexity and
ambiguity.
The real world *is* Chinatown, and computer hackers - properly
understood - know this better than anyone.
There are several themes in "Chinatown."
(1) People in power are in seamless collusion. They take care of one
another. They don't always play fair. And sooner or later, we
discover that "we" are "they."
A veteran police detective told me this about people in power.
"There's one thing they all fear - politicians, industrialists,
corporate executives - and that's exposure. They simply do not want
anyone to look too closely or shine too bright a light on their
activities."
I grew up in Chicago, Illinois, known for its political machine and
cash-on-the-counter way of doing business. I earned money for my
education working with the powerful Daley political machine. In
exchange for patronage jobs - supervising playgrounds, hauling
garbage - I worked with a precinct captain and alderman. My job was
to do what I was told.
I paid attention to how people behaved in the real world. I learned
that nothing is simple, that people act instinctively out of
self-interest, and that nobody competes in the arena of real life
with clean hands.
I remember sitting in a restaurant in a seedy neighborhood in
Chicago, listening to a conversation in the next booth. Two dubious
characters were upset that a mutual friend faced a long prison term.
They looked and sounded different than the "respectable" people with
whom I had grown up in an affluent part of town.
As I grew up, however, I learned how my friends' fathers really made
money. Many of their activities were disclosed in the newspaper. They
distributed pornography before it was legal, manufactured and sold
illegal gambling equipment, distributed vending machines and juke
boxes to bars that had to take them or face the consequences. I
learned that a real estate tycoon had been a bootlegger during
prohibition, and the brother of the man in the penthouse upstairs had
died in Miami Beach in a hail of bullets.
For me, it was an awakening: I saw that the members of the power
structures in the city - business, government, the religious
hierarchy, and the syndicate or mafia - were indistinguishable, a
partnership that of necessity included everyone who wanted to do
business. Conscious or unconscious, collusion was the price of the
ticket that got you into the stadium; whether players on the field or
spectators in the stands, we were all players, one way or another.
Chicago is South Africa, South Africa is Chinatown, and Chinatown is
the world. There is no moral high ground. We all wear masks, but
under that mask is... Chinatown.
(2) You never really know what's going on in Chinatown.
The police in Chinatown, according to Jake Gittes, were told to do
"as little as possible" because things that happened on the street
were the visible consequences of strings pulled behind the scenes. If
you looked too often behind the curtain - as Gittes did - you were
taught a painful lesson.
We often don't understand what we're looking at on the Internet. As
one hacker recently emailed in response to someone's fears of a virus
that did not and could not exist, "No information on the World Wide
Web is any good unless you can either verify it yourself or it's
backed up by an authority you trust."
The same is true in life.
Disinformation in the virtual world is an art. After an article I
wrote for an English magazine about detective work on the Internet
appeared, I received a call from a global PR firm in London. They
asked if I wanted to conduct "brand defense" for them on the World
Wide Web.
What is brand defense?
If one of our clients is attacked, they explained, their Internet
squad goes into action. "Sleepers" (spies inserted into a community
and told to wait until they receive orders) in usenet groups and
listserv lists create distractions, invent controversies; web sites
(on both sides of the question) go into high gear, using splashy
graphics and clever text to distort the conversation. Persons working
for the client pretend to be disinterested so they can spread
propaganda.
It reminded me of the time my Democratic Party precinct captain asked
if I wanted to be a precinct captain.
Are you retiring? I asked.
Of course not! he laughed. You'd be the Republican precinct captain.
Then we'd have all our bases covered.
The illusions of cyberspace are seductive. Every keystroke leaves a
luminous track in the melting snow that can be seen with the
equivalent of night vision goggles.
Hacking means tracking - and counter-tracking - and covering your
tracks - in the virtual world. Hacking means knowing how to follow
the flow of electrons to its source and understand on every level of
abstraction - from source code to switches and routers to high level
words and images - what is really happening.
Hackers are unwilling to do as little as possible. Hackers are
need-to-know machines driven by a passion to connect disparate data
into meaningful patterns. Hackers are the online detectives of the
virtual world.
You don't get to be a hacker overnight.
The devil is in the details. Real hackers get good by endless trial
and error, failing into success again and again. Thomas Alva Edison,
inventor of the electric light, invented a hundred filaments that
didn't work before he found one that did. He knew that every failure
eliminated a possibility and brought him closer to his goal.
Listen to "Rogue Agent" set someone straight on an Internet mailing
list:
You want to create hackers? Don't tell them how to do this or
that. Show them how to discover it for themselves. Those who
have the innate drive will dive in and learn by trial and error.
Those who don't, comfortable to stay within the bounds of their
safe little lives, fall by the wayside.
There's no knowledge so sweet as that which you've discovered on
your own.
In _Chinatown_, an unsavory character tries to stop Jake Gittes from
prying by cutting his nose. He reminds Gittes that "curiosity killed
the cat."
Isn't it ironic that curiosity, the defining characteristic of an
intelligent organism exploring its environment, has been prohibited
by folk wisdom everywhere?
The endless curiosity of hackers is regulated by a higher code that
may not even have a name but which defines the human spirit at its
best. The Hacker's Code is an affirmation of life itself, life that
wants to know, and grow, and extend itself throughout the "space" of
the universe. The hackers' refusal to accept conventional wisdom and
boundaries is a way to align his energies with the life-giving
passion of heretics everywhere. And these days, that's what needed to
survive.
Robert Galvin, the grand patriarch of Motorola, maker of cell-phones
and semi-conductors, says that "every significant decision that
changes the direction of a company is a minority decision. Whatever
is the intuitive presumption - where everyone agrees, 'Yeah, that's
right' - will almost surely be wrong."
Motorola has succeeded by fostering an environment in which
creativity thrives. The company has institutionalized an openness to
heresy because they know that wisdom is always arriving at the edge
of things, on the horizons of our lives, and when it first shows up -
like a comet on the distant edges of the solar system - it is faint
and seen by only a few. But those few know where to look.
Allen Hynek, an astronomer connected with the US Air Force
investigation of UFOs, was struck by the "strangeness" of UFO
reports, the cognitive dissonance that characterizes experiences that
don't fit our orthodox belief systems. He pointed out that all the
old photographic plates in astronomical observatories had images of
Pluto on them, but until Clyde Tombaugh discovered Pluto and said
where it was, no one saw it because they didn't know where to look.
The best computer consultants live on the creative edge of things.
They are path-finders, guides for those who have always lived at the
orthodox center but who find today that the center is constantly
shifting, mandating that they learn new behaviors, new skills in
order to be effective. In order to live on the edge.
The edge is the new center. The center of a web is wherever we are.
When I looked out over the audience at DefCon IV, the hackers'
convention, I saw an assembly of the most brilliant and most unusual
people I had ever seen in one room. It was exhilarating, and I felt
as if I had come home. There in that room for a few hours or a few
days, we did not have to explain anything. We knew who we were and
what drove us in our different ways to want to connect the dots of
data into meaningful patterns.
We know we build on quicksand, but building is too much fun to give
up. We know we leave tracks, but going is so much more energizing
than staying home. We know that curiosity can get your nose slit, but
then we'll invent new ways to smell.
Computer programmers write software applications that are doomed to
be as obsolete as wire recordings or programs for an IBM XT. The
infrastructures built by our engineers are equally doomed. Whether a
virtual world of digital bits or a physical world of concrete and
steel, our civilization is a Big Toy that we build and use up at the
same time. The fun of the game is to know that it is a game, and
winning is identical with our willingness to play.
To say that when we engage with one another in cyberspace we are
"Hacking Chinatown" is a way to say that asking questions is more
important than finding answers. We do not expect to find final
answers. But the questions must be asked. We refuse to do as little
as possible because we want to *know*.
Asking questions is how human beings create opportunities for dignity
and self-transcendence; asking questions is how we are preparing
ourselves to leave this island earth and enter into a trans-galactic
web of life more diverse and alien than anything we have encountered.
Asking questions that uncover the truth is our way of refusing to
consent to illusions and delusions, our way of insisting that we can
do it better if we stay up later, collaborate with each other in
networks with no names, and lose ourselves in the quest for knowledge
and self-mastery.
This is how proud, lonely men and women, illuminated in the darkness
by their glowing monitors, become heroes in their own dramas as they
wander the twisting streets of cyberspace and their own lives.
Even in Chinatown, Jake. Even in Chinatown.
_____________________________________________________________________
Richard Thieme is a writer and speaker from Milwaukee, Wisconsin. He
delivered a keynote address at DefCon IV in Las Vegas in 1996
entitled "Hacking as Practice for Trans-planetary Life in the 21st
Century." His article, "Stalking the UFO Meme" is published in
_Digital Delirium_, Arthur and Marilouise Kroker, eds. New York: St.
Martin's Press, 1997.
_____________________________________________________________________
* CTHEORY is an international journal of theory, technology
* and culture. Articles, interviews, and key book reviews
* in contemporary discourse are published weekly as well as
* theorisations of major "event-scenes" in the mediascape.
*
* CTHEORY is published with the assistance of the Dean of Arts
* and Science and the Department of Political Science, Concordia
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* Editors: Arthur and Marilouise Kroker
*
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_____________________________________________________________________