| CSECS. Canadian Society for Eighteenth-Century Studies SCEDHS. Société canadienne d'étude du dix-huitième siècle |
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<<Theatre of the World. Théâtre du monde>>, sous la direction de/edited by Carol Gibson-Wood et/and Gordon D. Fulton.
ISSN : 1209-3696; ISBN : 0-920980-72-4
Barrell, John, «“An Entire Change of Performances ?” The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s», p. 11-50. Ill.
Bérubé, Georges, «L'apparition du personnage du père dans le théâtre de Voltaire», p. 91-101.
Campbell, Grant, «Starry Wheels and Watch-Fiends : Clocks and Timepieces in William Blake's Milton», p. 165-174.
Didier, Béatrice, «La réception de l'opéra par les philosophes», p. 1-10.
Grundy, Isobel, «Lady Mary Wortley Montagu and the Theatrical Eclogue», p. 63-75.
Harris, Diane, «Eugenia's Escape : The Written Word in Frances Burney's Camilla», p. 151-164.
Kitching, Laurence P.A., «German Theatre in a European Context : The Mitau Playbill», p. 77-90. Ill.
Long, Douglas, «Hume's “Imagination” Revisited», p. 127-149.
Pickard, Richard, «Environmentalism and “Best Husbandry” : Cutting Down Trees in Augustan Poetry», p. 103-126.
Rempel, John, «Nahum Tate's (“aberrant”, “appalling”) The History of King Lear [1681] : Lear as Inscriptive Site», p. 51-61.
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