Macaulay's Review of Croker's Boswell

Thomas Macaulay's review of John Croker's new edition of James Boswell's Life of Johnson appeared in September 1831, and was one of the most influential works on Samuel Johnson to appear in the nineteenth century — in fact, to this day, Johnsonian scholars are fighting to undo some of the damage Macaulay inflicted. The text here is edited by Jack Lynch from The Works of Lord Macaulay, 12 vols. (London: Longmans Green and Co., 1898), VIII, 56-111. I have made the following changes: The text otherwise reproduces the 1898 text in all accidentals. Please send corrections and comments to Jack Lynch.
The Life of Samuel Johnson, LL.D. Including a Journal of a Tour to the Hebrides, by James Boswell, Esq. A New Edition, with numerous Additions and Notes. By JOHN WILSON CROKER, LL.D. F.R.S. Five volumes 8vo. London: 1831.
THIS work has greatly disappointed us. Whatever faults we may have been prepared to find in it, we fully expected that it would be a valuable addition to English literature; that it would contain many curious facts, and many judicious remarks; that the style of the notes would be neat, clear, and precise; and that the typographical execution would be, as in new editions of classical works it ought to be, almost faultless. We are sorry to be obliged to say that the merits of Mr. Croker's performance are on a par with those of a certain leg of mutton on which Dr. Johnson dined, while travelling from London to Oxford, and which he, with characteristic energy, pronounced to be "as bad as bad could be, ill fed, ill killed, ill kept, and ill dressed." This edition is ill compiled, ill arranged, ill written, and ill printed.

Nothing in the work has astonished us so much as the ignorance or carelessness of Mr. Croker with respect to facts and dates. Many of his blunders are such as we should be surprised to hear any well educated gentleman commit, even in conversation. The tomes absolutely swarm with misstatements into which the editor never would have fallen, if he had taken the slightest pains to investigate the truth of his assertions, or if he had even been well acquainted with the book on which he undertook to comment. We will give a few instances.

Mr. Croker tells us in a note that Derrick, who was master of the ceremonies at Bath, died very poor in 1760. We read on; and, a few pages later, we find Dr. Johnson and Boswell talking of this same Derrick as still living and reigning, as having retrieved his character, as possessing so much power over his subjects at Bath, that his opposition might be fatal to Sheridan's lectures on oratory. And all this is in 1763. The fact is, that Derrick died in 1769.

In one note we read, that Sir Herbert Croft, the author of that pompous and foolish account of Young, which appears among the Lives of the Poets, died in 1805. Another note in the same volume states, that this same Sir Herbert Croft died at Paris, after residing abroad for fifteen years, on the 27th of April 1816.

Mr. Croker informs us, that Sir William Forbes of Pitsligo, the author of the Life of Beattie, died in 1816. A Sir William Forbes undoubtedly died in that year, but not the Sir William Forbes in question, whose death took place in 1806. It is notorious, indeed, that the biographer of Beattie lived just long enough to complete the history of his friend. Eight or nine years before the date which Mr. Croker has assigned for Sir William's death, Sir Walter Scott lamented that event in the introduction to the fourth canto of Marmion. Every schoolgirl knows the lines:

"Scarce had lamented Forbes paid
The tribute to his Minstrel's shade;
The tale of friendship scarce was told,
Ere the narrator's heart was cold:
Far may we search before we find
A heart so manly and so kind!"
In one place, we are told, that Allan Ramsay, the painter, was born in 1709, and died in 1784; in another, that he died in 1784, in the seventy-first year of his age.

In one place, Mr. Croker says, that at the commencement of the intimacy between Dr. Johnson and Mrs. Thrale, in 1765, the lady was twenty-five years old. In other places he says, that Mrs. Thrale's thirty-fifth year coincided with Johnson's seventieth, Johnson was born in 1709. If, therefore, Mrs. Thrale's thirty-fifth year coincided with Johnson's seventieth, she could have been only twenty-one years old in 1765. This is not all. Mr. Croker, in another place, assigns the year 1777 as the date of the complimentary lines which Johnson made on Mrs. Thrale's thirty-fifth birthday. If this date be correct, Mrs. Thrale must have been born in 1742, and could have been only twenty-three when her acquaintance with Johnson commenced. Mr. Croker therefore gives us three different statements as to her age. Two of the three must be incorrect. We will not decide between them: we will only say, that the reasons which Mr. Croker gives for thinking that Mrs. Thrale was exactly thirty-five years old when Johnson was seventy, appear to us utterly frivolous.

Again, Mr. Croker informs his readers that "Lord Mansfield survived Johnson full ten years." Lord Mansfield survived Dr. Johnson just eight years and a quarter.

Johnson found in the library of a French lady, whom he visited during his short visit to Paris, some works which he regarded with great disdain. "I looked," says he, "into the books in the lady's closet, and, in contempt, showed them to Mr. Thrale. Prince Titi, Bibliothèque des Fées, and other books." "The History of Prince Titi," observes Mr. Croker, "was said to be the autobiography of Frederick Prince of Wales, but was probably written by Ralph, his secretary." A more absurd note never was penned. The history of Prince Titi, to which Mr. Croker refers, whether written by Prince Frederick or by Ralph, was certainly never published. If Mr. Croker had taken the trouble to read with attention that very passage in Park's Royal and Noble Authors which he cites as his authority, he would have seen that the manuscript was given up to the government. Even if this memoir had been printed it is not very likely to find its way into a French lady's bookcase. And would any man in his senses speak contemptuously of a French lady, for having in her possession an English work, so curious and interesting as a Life of Prince Frederick, whether written by himself or by a confidential secretary, must have been? The history at which Johnson laughed was a very proper companion to the Bibliothèque des Fées, a fairy tale about good Prince Titi and naughty Prince Violent. Mr. Croker may find it in the Magasin des Enfans, the first French book which the little girls of England read to their governesses.

Mr. Croker states that Mr. Henry Bate, who afterwards assumed the name of Dudley, was proprietor of the Morning Herald, and fought a duel with George Robinson Stoney, in consequence of some attacks on Lady Strathmore which appeared in that paper. Now Mr. Bate was then connected, not with the Morning Herald, but with the Morning Post; and the dispute took place before the Morning Herald was in existence. The duel was fought in January 1777. The Chronicle of the Annual Register for that year contains an account of the transaction, and distinctly states that Mr. Bate was editor of the Morning Post. The Morning Herald, as any person may see by looking at any number of it, was not established till some years after this affair. For this blunder there is, we must acknowledge, some excuse: for it certainly seems almost incredible to a person living in our time that any human being should ever have stooped to fight with a writer in the Morning Post.

"James de Duglas," says Mr. Croker, "was requested by King Robert Bruce in his last hours, to repair, with his heart to Jerusalem, and humbly to deposit it at the sepulchre of our Lord, which he did in 1329." Now, it is well known that he did no such thing, and for a very sufficient reason, because he was killed by the way. Nor was it in 1329 that he set out. Robert Bruce died in 1329, and the expedition of Douglas took place in the following year, "Quand le printems vint et la saison," says Froissart, in June, 1330, says Lord Hailes, whom Mr. Croker cites as the authority for his statement.

Mr. Croker tells us that the great Marquis of Montrose was beheaded at Edinburgh in 1650. There is not a forward boy at any school in England who does not know that the marquis was hanged. The account of the execution is one of the finest passages in Lord Clarendon's History. We can scarcely suppose that Mr. Croker has never read that passage; and yet we can scarcely suppose that any person who has ever perused so noble and pathetic a story can have utterly forgotten all its most striking circumstances.

"Lord Townshend," says Mr. Croker, "was not secretary of state till 1720." Can Mr. Croker possibly be ignorant that Lord Townshend was made secretary of state at the accession of George I. in 1714, that he continued to be secretary of state till he was displaced by the intrigues of Sunderland and Stanhope at the close of 1716, and that he returned to the office of secretary of state, not in 1720, but in 1721?

Mr. Croker, indeed, is generally unfortunate in his statements respecting the Townshend family. He tells us that Charles Townshend, the chancellor of the exchequer, was "nephew of the prime minister, and son of a peer who was secretary of state, and leader of the House of Lords." Charles Townshend was not nephew, but grandnephew, of the Duke of Newcastle, not son, but grandson, of the Lord Townshend who was secretary of state and leader of the House of Lords.

"General Burgoyne surrendered at Saratoga," says Mr. Croker, "in March, 1778." General Burgoyne surrendered on the 17th of October, 1777.

"Nothing," says Mr. Croker, "can be more unfounded than the assertion that Byng fell a martyr to political party. By a strange coincidence of circumstances it happened that there was a total change of administration between his condemnation and his death: so that one party presided at his trial, and another at his execution: there can be no stronger proof that he was not a political martyr." Now what will our readers think of this writer, when we assure them that this statement, so confidently made, respecting events so notorious, is absolutely untrue? One and the same administration was in office when the court-martial on Byng commenced its sittings, through the whole trial, at the condemnation, and at the execution. In the month of November, 1756, the Duke of Newcastle and Lord Hardwicke resigned; the Duke of Devonshire became first lord of the treasury, and Mr. Pitt secretary of state. This administration lasted till the month of April, 1757. Byng's court-martial began to sit on the 28th of December, 1756. He was shot on the 14th of March, 1757. There is something at once diverting and provoking in the cool and authoritative manner in which Mr. Croker makes these random assertions. We do not suspect him of intentionally falsifying history. But of this high literary misdemeanour we do without hesitation accuse him, that he has no adequate sense of the obligation which a writer, who professes to relate facts, owes to the public. We accuse him of a negligence and an ignorance analogous to that crassa negligentia, and that crassa ignorantia, on which the law animadverts in magistrates and surgeons, even when malice and corruption are not imputed. We accuse him of having undertaken a work which, if not performed with strict accuracy, must be very much worse than useless, and of having performed it as if the difference between an accurate and an inaccurate statement was not worth the trouble of looking into the most common book of reference.

But we must proceed. These volumes contain mistakes more gross, if possible, than any that we have yet mentioned. Boswell has recorded some observations made by Johnson on the changes which had taken place in Gibbon's religious opinions. That Gibbon when a lad at Oxford turned Catholic is well known. "It is said," cried Johnson, laughing, "that he has been a Mahommedan." "This sarcasm," says the editor, "probably alludes to the tenderness with which Gibbon's malevolence to Christianity induced him to treat Mahommedanism in his history." Now the sarcasm was uttered in 1776: and that part of the History of the Decline and Fall of the Roman Empire which relates to Mahommedanism was not published till 1788, twelve years after the date of this conversation, and near four years after the death of Johnson.

"It was in the year 1761," says Mr. Croker, "that Goldsmith published his Vicar of Wakefield. This leads the editor to observe a more serious inaccuracy of Mrs. Piozzi, than Mr. Boswell notices, when he says Johnson left her table to go and sell the Vicar of Wakefield for Goldsmith. Now Dr. Johnson was not acquainted with the Thrales till 1765, four years after the book had been published." Mr. Croker in reprehending the fancied inaccuracy of Mrs. Thrale, has himself shown a degree of inaccuracy, or to speak more properly, a degree of ignorance, hardly credible. In the first place, Johnson became acquainted with the Thrales, not in 1765, but in 1764, and during the last weeks of 1764 dined with them every Thursday, as is written in Mrs. Piozzi's anecdotes. In the second place, Goldsmith published the Vicar of Wakefield, not in 1761, but in 1766. Mrs. Thrale does not pretend to remember the precise date of the summons which called Johnson from her table to the help of his friend. She says only that it was near the beginning of her acquaintance with Johnson, and certainly not later than 1766. Her accuracy is therefore completely vindicated. It was probably after one of her Thursday dinners in 1764 that the celebrated scene of the landlady, the sheriff's officer, and the bottle of Madeira took place.

The very page which contains this monstrous blunder, contains another blunder, if possible, more monstrous still. Sir Joseph Mawbey, a foolish member of Parliament, at whose speeches and whose pig-styes the wits of Brookes's were, fifty years ago, in the habit of laughing most unmercifully, stated, on the authority of Garrick, that Johnson, while sitting in a coffeehouse at Oxford, about the time of his doctor's degree, used some contemptuous expressions respecting Home's play and Macpherson's Ossian. "Many men," he said, "many women, and many children, might have written Douglas." Mr. Croker conceives that he has detected an inaccuracy, and glories over poor Sir Joseph in a most characteristic manner. "I have quoted this anecdote solely with the view of showing to how little credit hearsay anecdotes are in general entitled. Here is a story published by Sir Joseph Mawbey, a member of the House of Commons, and a person every way worthy of credit, who says he had it from Garrick. Now mark: Johnson's visit to Oxford, about the time of his doctor's degree, was in 1754, the first time he had been there since he left the university. But Douglas was not acted till 1756, and Ossian not published till 1760. All, therefore, that is new in Sir Joseph Mawbey's story is false."' Assuredly we need not go far to find ample proof that a member of the House of Commons may commit a very gross error. Now mark, say we, in the language of Mr. Croker. The fact is, that Johnson took his Master's degree in 1754, and his Doctor's degree in 1775. In the spring of 1776, he paid a visit to Oxford, and at this visit a conversation respecting the works of Home and Macpherson might have taken place, and, in all probability, did take place. The only real objection to the story Mr. Croker has missed. Boswell states, apparently on the best authority, that as early at least as the year 1763, Johnson, in conversation with Blair, used the same expressions respecting Ossian, which Sir Joseph represents him as having used respecting Douglas. Sir Joseph, or Garrick, confounded, we suspect, the two stories. But their error is venial, compared with that of Mr. Croker.

We will not multiply instances of this scandalous inaccuracy. It is clear that a writer who, even when warned by the text on which he is commenting, falls into such mistakes as these, is entitled to no confidence whatever. Mr. Croker has committed an error of five years with respect to the publication of Goldsmith's novel, an error of twelve years with respect to the publication of part of Gibbon's History, an error of twenty-one years with respect to an event in Johnson's life so important as the taking of the doctoral degree. Two of these three errors he has committed, while ostentatiously displaying his own accuracy, and correcting what he represents as the loose assertions of others. How can his readers take on trust his statements concerning the births, marriages, divorces, and deaths of a crowd of people, whose names are scarcely known to this generation? It is not likely that a person who is ignorant of what almost every body knows can know that of which almost every body is ignorant. We did not open this book with any wish to find blemishes in it. We have made no curious researches. The work itself, and a very common knowledge of literary and political history, have enabled us to detect the mistakes which we have pointed out, and many other mistakes of the same kind. We must say, and we say it with regret, that we do not consider the authority of Mr. Croker, unsupported by other evidence, as sufficient to justify any writer who may follow him in relating a single anecdote or in assigning a date to a single event.

Mr. Croker shows almost as much ignorance and heedlessness in his criticisms as in his statements concerning facts. Dr. Johnson said, very reasonably as it appears to us, that some of the satires of Juvenal are too gross for imitation. Mr. Croker, who, by the way, is angry with Johnson for defending Prior's tales against the charge of indecency, resents this aspersion on Juvenal, and indeed refuses to believe that the doctor can have said any thing so absurd. "He probably said — some passages of them — for there are none of Juvenal's satires to which the same objection may be made as to one of Horace's, that it is altogether gross and licentious." Surely Mr. Croker can never have read the second and ninth satires of Juvenal.

Indeed the decisions of this editor on points of classical learning, though pronounced in a very authoritative tone, are generally such that, if a schoolboy under our care were to utter them, our soul assuredly should not spare for his crying. It is no disgrace to a gentleman who has been engaged during near thirty years in political life that he has forgotten his Greek and Latin. But he becomes justly ridiculous if, when no longer able to construe a plain sentence, he affects to sit in judgment on the most delicate questions of style and metre. From one blunder, a blunder which no good scholar would have made, Mr. Croker was saved, as he informs us, by Sir Robert Peel, who quoted a passage exactly in point from Horace. We heartily wish that Sir Robert, whose classical attainments are well known, had been more frequently consulted. Unhappily he was not always at his friend's elbow; and we have therefore a rich abundance of the strangest errors. Boswell has preserved a poor epigram by Johnson, inscribed "Ad Lauram parituram." Mr. Croker censures the poet for applying the word puella to a lady in Laura's situation, and for talking of the beauty of Lucina. "Lucina," he says, "was never famed for her beauty." If Sir Robert Peel had seen this note, he probably would have again refuted Mr. Croker's criticisms by an appeal to Horace. In the secular ode, Lucina is used as one of the names of Diana, and the beauty of Diana is extolled by all the most orthodox doctors of the ancient mythology, from Homer in his Odyssey, to Claudian in his Rape of Proserpine. In another ode, Horace describes Diana as the goddess who assists the "laborantes utero puellas." But we are ashamed to detain our readers with this fourth-form learning.

Boswell found, in his tour to the Hebrides, an inscription written by a Scotch minister. It runs thus: "Joannes Macleod, &c., gentis suæ Philarchus, &c., Floræ Macdonald matrimoniali vinculo conjugatus turrem hanc Beganodunensem proævorum habitaculum longe vetustissimum, diu penitus labefactatam, anno æræ vulgaris MDCLXXXVI. instauravit" — "The minister," says Mr. Croker, "seems to have been no contemptible Latinist. Is not Philarchus a very happy term to express the paternal and kindly authority of the head of a clan?" The composition of this eminent Latinist, short as it is, contains several words that are just as much Coptic as Latin, to say nothing of the incorrect structure of the sentence. The word Philarchus, even if it were a happy term expressing a paternal and kindly authority, would prove nothing for the minister's Latin, whatever it might prove for his Greek. But it is clear that the word Philarchus means, not a man who rules by love, but a man who loves rule. The Attic writers of the best age use the word [philarchos] in the sense which we assign to it. Would Mr Croker translate [philosophos], a man who acquires wisdom by means of love, or [philokerdês], a man who makes money by means of love? In fact, it requires no Bentley or Casaubon to perceive that Philarchus is merely a false spelling for Phylarchus the chief of a tribe.

Mr. Croker has favoured us with some Greek of his own. "At the altar," says Dr. Johnson, "I recommended my [theta phi]." "These letters," says the editor, "(which Dr. Strahan seems not to have understood) probably mean [thnêtoi philoi], departed friends." Johnson was not a first-rate Greek scholar; but he knew more Greek than most boys when they leave school; and no schoolboy could venture to use the word [thnêtoi] in the sense which Mr. Croker ascribes to it without imminent danger of a flogging.

Mr. Croker has also given us a specimen of his skill in translating Latin. Johnson wrote a note in which he consulted his friend, Dr. Lawrence, on the propriety of losing some blood. The note contains these words: — "Si per te licet, imperatur nuncio Holderum ad me deducere." Johnson should rather have written "imperatum est." But the meaning of the words is perfectly clear. "If you say yes, the messenger has orders to bring Holder to me." Mr. Croker translates the words as follows: "If you consent, pray tell the messenger to bring Holder to me." If Mr. Croker is resolved to write on points of classical learning, we would advise him to begin by giving an hour every morning to our old friend Corderius.

Indeed we cannot open any volume of this work in any place, and turn it over for two minutes in any direction, without lighting on a blunder. Johnson, in his Life of Tickell, stated that the poem entitled The Royal Progress, which appears in the last volume of the Spectator, was written on the accession of George the First. The word "arrival" was afterwards substituted for "accession." "The reader will observe," says Mr. Croker, "that the Whig term accession, which might imply legality, was altered into a statement of the simple fact of King George's arrival." Now Johnson, though a bigoted Tory, was not quite such a fool as Mr. Croker here represents him to be. In the Life of Granville, Lord Lansdowne, which stands a very few pages from the Life of Tickell, mention is made of the accession of Anne, and of the accession of George the First. The word arrival was used in the Life of Tickell for the simplest of all reasons. It was used because the subject of the poem called The Royal Progress was the arrival of the king, and not his accession, which took place near two months before his arrival.

The editor's want of perspicacity is indeed very amusing. He is perpetually telling us that he cannot understand something in the text which is as plain as language can make it. "Mattaire," said Dr. Johnson, "wrote Latin verses from time to time, and published a set in his old age, which he called Senilia, in which he shows so little learning or taste in writing, as to make Carteret a dactyl." Hereupon we have this note: "The editor does not understand this objection, nor the following observation." The following observation, which Mr. Croker cannot understand, is simply this: "In matters of genealogy," says Johnson, "it is necessary to give the bare names as they are. But in poetry and in prose of any elegance in the writing, they require to have inflection given to them." If Mr. Croker had told Johnson that this was unintelligible, the doctor would probably have replied, as he replied on another occasion, "I have found you a reason, sir; I am not bound to find you an understanding." Every body who knows any thing of Latinity knows that, in genealogical tables, Joannes Baro de Carteret, or Vice-comes de Carteret, may be tolerated, but that in compositions which pretend to elegance, Carteretus, or some other form which admits of inflection, ought to be used.

All our readers have doubtless seen the two distichs of Sir William Jones, respecting the division of the time of a lawyer. One of the distichs is translated from some old Latin lines; the other is original. The former runs thus:

"Six hours to sleep, to law's grave study six,
Four spend in prayer, the rest on nature fix."
"Rather," says Sir William Jones,
"Six hours to law, to soothing slumbers seven,
Ten to the world allot, and all to heaven."
The second couplet puzzles Mr. Croker strangely, "Sir William," says he, "has shortened his day to twenty-three hours, and the general advice of 'all to heaven,' destroys the peculiar appropriation of a certain period to religious exercises." Now, we did not think that it was in human dulness to miss the meaning of the lines so completely. Sir William distributes twenty-three hours among various employments. One hour is thus left for devotion. The reader expects that the verse will end with "and one to heaven." The whole point of the lines consists in the unexpected substitution of "all" for "one." The conceit is wretched enough; but it is perfectly intelligible, and never, we will venture to say, perplexed man, woman, or child before.

Poor Tom Davies, after failing in business, tried to live by his pen. Johnson called him "an author generated by the corruption of a bookseller." This is a very obvious, and even a commonplace allusion to the famous dogma of the old physiologists. Dryden made a similar allusion to that dogma before Johnson was born. Mr. Croker, however, is unable to understand what the doctor meant. "The expression," he says, "seems not quite clear." And he proceeds to talk about the generation of insects, about bursting into gaudier life, and Heaven knows what.

There is a still stranger instance of the editor's talent for finding out difficulty in what is perfectly plain. "No man," said Johnson, "can now be made a bishop for his learning and piety." "From this too just observation," says Boswell, "there are some eminent exceptions." Mr. Croker is puzzled by Boswell's very natural and simple language. "That a general observation should be pronounced too just, by the very person who admits that it is not universally just, is not a little odd."

A very large proportion of the two thousand five hundred notes which the editor boasts of having added to those of Boswell and Malone consists of the flattest and poorest reflections, reflections such as the least intelligent reader is quite competent to make for himself, and such as no intelligent reader would think it worth while to utter aloud. They remind us of nothing so much as of those profound and interesting annotations which are pencilled by sempstresses and apothecaries' boys on the dog-eared margins of novels borrowed from circulating libraries; "How beautiful!" "Cursed prosy!" "I don't like Sir Reginald Malcolm at all." "I think Pelham is a sad dandy." Mr. Croker is perpetually stopping us in our progress through the most delightful narrative in the language to observe that really Dr. Johnson was very rude that he talked more for victory than for truth, that his taste for port wine with capillaire in it was very odd, that Boswell was impertinent, that it was foolish in Mrs. Thrale to marry the music-master; and so forth.

We cannot speak more favourably of the manner in which the notes are written than of the matter of which they consist. We find in every page words used in wrong senses, and constructions which violate the plainest rules of grammar. We have the vulgarism of "mutual friend," for "common friend." We have "fallacy" used as synonymous with "falsehood." We have many such inextricable labyrinths of pronouns as that which follows: "Lord Erskine was fond of this anecdote; he told it to the editor the first time that he had the honour of being in his company." Lastly, we have a plentiful supply of sentences resembling those which we subjoin. "Markland, who, with Jortin and Thirlby, Johnson calls three contemporaries of great eminence." "Warburton himself did not feel, as Mr. Boswell was disposed to think he did, kindly or gratefully of Johnson." "It was him that Horace Walpole called a man who never made a bad figure but as an author." One or two of these solecisms should perhaps be attributed to the printer, who has certainly done his best to fill both the text and the notes with all sorts of blunders. In truth, he and the editor have between them made the book so bad, that we do not well see how it could have been worse.

When we turn from the commentary of Mr. Croker to the work of our old friend Boswell, we find it not only worse printed than in any other edition with which we are acquainted, but mangled in the most wanton manner. Much that Boswell inserted in his narrative is, without the shadow of a reason, degraded to the appendix. The editor has also taken upon himself to alter or omit passages which he considers as indecorous. This prudery is quite unintelligible to us. There is nothing immoral in Boswell's book, nothing which tends to inflame the passions. He sometimes uses plain words. But if this be a taint which requires expurgation, it would be desirable to begin by expurgating the morning and evening lessons. The delicate office which Mr. Croker has undertaken he has performed in the most capricious manner. One strong, old-fashioned, English word, familiar to all who read their Bibles, is changed for a softer synonyme in some passages and suffered to stand unaltered in others. In one place a faint allusion made by Johnson to an indelicate subject, an allusion so faint that, till Mr. Croker's note pointed it out to us, we had never noticed it, and of which we are quite sure that the meaning would never be discovered by any of those for whose sake books are expurgated, is altogether omitted. In another place, a coarse and stupid jest of Dr. Taylor on the same subject, expressed in the broadest language, almost the only passage, as far as we remember, in all Boswell's book, which we should have been inclined to leave out, is suffered to remain.

We complain, however, much more of the additions than of the omissions. We have half of Mrs. Thrale's book, scraps of Mr. Tyers, scraps of Mr. Murphy, scraps of Mr. Cradock, long prosings of Sir John Hawkins, and connecting observations by Mr. Croker himself, inserted into the midst of Boswell's text To this practice we most decidedly object. An editor might as well publish Thucydides with extracts from Diodorus interspersed, or incorporate the Lives of Suetonius with the History and Annals of Tacitus. Mr. Croker tells us, indeed, that he has done only what Boswell wished to do, and was prevented from doing by the law of copyright. We doubt this greatly. Boswell has studiously abstained from availing himself of the information given by his rivals, on many occasions on which he might have cited them without subjecting himself to the charge of piracy. Mr. Croker has himself, on one occasion, remarked very justly that Boswell was unwilling to owe any obligation to Hawkins. But, be this as it may, if Boswell had quoted from Sir John and from Mrs. Thrale, he would have been guided by his own taste and judgment in selecting his quotations. On what Boswell quoted he would have commented with perfect freedom; and the borrowed passages, so selected, and accompanied by such comments, would have become original. They would have dove-tailed into the work. No hitch, no crease, would have been discernible. The whole would appear one and indivisible,

"Ut per læve severos
Effundat junctura ungues."
This is not the case with Mr. Croker's insertions. They are not chosen as Boswell would have chosen them. They are not introduced as Boswell would have introduced them. They differ from the quotations scattered through the original Life of Johnson, as a withered bough stuck in the ground differs from a tree skilfully transplanted with all its life about it.

Not only do these anecdotes disfigure Boswell's book; they are themselves disfigured by being inserted in his book. The charm of Mrs. Thrale's little volume is utterly destroyed. The feminine quickness of observation, the feminine softness of heart, the colloquial incorrectness and vivacity of style, the little amusing airs of a half-learned lady, the delightful garrulity, the "dear Doctor Johnson," the "it was so so comical," all disappear in Mr. Croker's quotations. The lady ceases to speak in the first person; and her anecdotes, in the process of transfusion, become as flat as Champagne in decanters, or Herodotus in Beloe's version. Sir John Hawkins, it is true, loses nothing; and for the best of reasons. Sir John had nothing to lose.

The course which Mr. Croker ought to have taken is quite clear. He should have reprinted Boswell's narrative precisely as Boswell wrote it; and in the notes or the appendix he should have placed any anecdotes which he might have thought it advisable to quote from other writers. This would have been a much more convenient course for the reader, who has now constantly to keep his eye on the margin in order to see whether he is perusing Boswell, Mrs. Thrale, Murphy, Hawkins, Tyers, Cradock, or Mr. Croker. We greatly doubt whether even the Tour to the Hebrides ought to have been inserted in the midst of the Life. There is one marked distinction between the two works. Most of the Tour was seen by Johnson in manuscript. It does not appear that he ever saw any part of the Life.

We love, we own, to read the great productions of the human mind as they were written. We have this feeling even about scientific treatises; though we know that the sciences are always in a state of progression, and that the alterations made by a modern editor in an old book on any branch of natural or political philosophy are likely to be improvements. Some errors have been detected by writers of this generation in the speculations of Adam Smith. A short cut has been made to much knowledge at which Sir Isaac Newton arrived through arduous and circuitous paths. Yet we still look with peculiar veneration on the Wealth of Nations and on the Principia, and should regret to see either of those great works garbled even by the ablest hands. But in works which owe much of their interest to the character and situation of the writers the case is infinitely stronger. What man of taste and feeling can endure rifacimenti, harmonies, abridgments, expurgated editions? Who ever reads a stage copy of a play when he can procure the original? Who ever cut open Mrs. Siddons's Milton? Who ever got through ten pages of Mr. Gilpin's translation of John Bunyan's Pilgrim into modern English? Who would lose, in the confusion of a Diatessaron, the peculiar charm which belongs to the narrative of the disciple whom Jesus loved? The feeling of a reader who has become intimate with any great original work is that which Adam expressed towards his bride:

"Should God create another Eve, and I
Another rib afford, yet loss of thee
Would never from my heart."
No substitute, however exquisitely formed, will fill the void left by the original. The second beauty may be equal or superior to the first; but still it is not she.

The reasons which Mr. Croker has given for incorporating passages from Sir John Hawkins and Mrs. Thrale with the narrative of Boswell would vindicate the adulteration of half the classical works in the language. If Pepys's Diary and Mrs. Hutchinson's Memoirs had been published a hundred years ago, no human being can doubt that Mr. Hume would have made great use of those books in his History of England. But would it, on that account, be judicious in a writer of our times to publish an edition of Hume's History of England, in which large extracts from Pepys and Mrs. Hutchinson should be incorporated with the original text? Surely not. Hume's history, be its faults what they may, is now one great entire work, the production of one vigorous mind, working on such materials as were within its reach. Additions made by another hand may supply a particular deficiency, but would grievously injure the general effect. With Boswell's book the case is stronger. There is scarcely in the whole compass of literature, a book which bears interpolation so ill. We know no production of the human mind which has so much of what may be called the race, so much of the peculiar flavour of the soil from which it sprang. The work could never have been written if the writer had not been precisely what he was. His character is displayed in every page, and this display of character gives a delightful interest to many passages which have no other interest.

The Life of Johnson is assuredly a great, a very great work. Homer is not more decidedly the first of heroic poets, Shakspeare is not more decidedly the first of dramatists, Demosthenes is not more decidedly the first of orators, than Boswell is the first of biographers. He has no second. He has distanced all his competitors so decidedly that it is not worth while to place them. Eclipse is first, and the rest nowhere.

We are not sure that there is in the whole history of the human intellect so strange a phænomenon as this book. Many of the greatest men that ever lived have written biography. Boswell was one of the smallest men that ever lived, and he has beaten them all. He was, if we are to give any credit to his own account or to the united testimony of all who knew him, a man of the meanest and feeblest intellect. Johnson described him as a fellow who had missed his only chance of immortality by not having been alive when the Dunciad was written. Beauclerk used his name as a proverbial expression for a bore. He was the laughing-stock of the whole of that brilliant society which has owed to him the greater part of its fame. He was always laying himself at the feet of some eminent man, and begging to be spit upon and trampled upon. He was always earning some ridiculous nickname, and then "binding it as a crown unto him," not merely in metaphor, but literally. He exhibited himself, at the Shakspeare Jubilee, to all the crowd which filled Stratford-on-Avon, with a placard round his hat bearing the inscription of Corsica Boswell. In his Tour, he proclaimed to all the world that at Edinburgh he was known by the appellation of Paoli Boswell. Servile and impertinent, shallow and pedantic, a bigot and a sot, bloated with family pride, and eternally blustering about the dignity of a born gentleman, yet stooping to be a talebearer, an eavesdropper, a common butt in the taverns of London, so curious to know every body who was talked about, that, Tory and high Churchman as he was, he manoeuvred, we have been told, for an introduction to Tom Paine, so vain of the most childish distinctions, that when he had been to court, he drove to the office where his book was printing without changing his clothes, and summoned all the printer's devils to admire his new ruffles and sword; such was this man, and such he was content and proud to be. Every thing which another man would have hidden, every thing the publication of which would have made another man hang himself, was matter of gay and clamorous exultation to his weak and diseased mind. What silly things he said, what bitter retorts he provoked, how at one place he was troubled with evil presentiments which came to nothing, how at another place, on waking from a drunken doze, he read the prayer-book and took a hair of the dog that had bitten him, how he went to see men hanged and came away maudlin, how he added five hundred pounds to the fortune of one of his babies because she was not scared at Johnson's ugly face, how he was frightened out of his wits at sea, and how the sailors quieted him as they would have quieted a child, how tipsy he was at Lady Cork's one evening and how much his merriment annoyed the ladies, how impertinent he was to the Duchess of Argyle and with what stately contempt she put down his impertinence, how Colonel Macleod sneered to his face at his impudent obtrusiveness, how his father and the very wife of his bosom laughed and fretted at his fooleries; all these things he proclaimed to all the world, as if they had been subjects for pride and ostentatious rejoicing. All the caprices of his temper, all the illusions of his vanity, all his hypochondriac whimsies all his castles in the air, he displayed with a cool self-complacency, a perfect unconsciousness that he was making a fool of himself, to which it is impossible to find a parallel in the whole history of mankind. He has used many people ill; but assuredly he has used nobody so ill as himself.

That such a man should have written one of the best books in the world is strange enough. But this is not all. Many persons who have conducted themselves foolishly in active life, and whose conversation has indicated no superior powers of mind, have left us valuable works. Goldsmith was very justly described by one of his contemporaries as an inspired idiot, and by another as a being

"Who wrote like an angel, and talked like poor Poll."
La Fontaine was in society a mere simpleton. His blunders would not come in amiss among the stories of Hierocles. But these men attained literary eminence in spite of their weaknesses. Boswell attained it by reason of his weaknesses. If he had not been a great fool, he would never have been a great writer. Without all the qualities which made him the jest and the torment of those among whom he lived, without the officiousness, the inquisitiveness, the effrontery, the toad-eating, the insensibility to all reproof he never could have produced so excellent a book. He was a slave, proud of his servitude, a Paul Pry, convinced that his own curiosity and garrulity were virtues, an unsafe companion who never scrupled to repay the most liberal hospitality by the basest violation of confidence, a man without delicacy, without shame, without sense enough to know when he was hurting the feelings of others or when he was exposing himself to derision; and because he was all this, he has, in an important department of literature, immeasurably surpassed such writers as Tacitus, Clarendon, Alfieri, and his own idol Johnson.

Of the talents which ordinarily raise men to eminence as writers, Boswell had absolutely none. There is not in all his books a single remark of his own on literature, politics, religion, or society, which is not either commonplace or absurd. His dissertations on hereditary gentility, on the slave-trade, and on the entailing of landed estates, may serve as examples. To say that these passages are sophistical would be to pay them an extravagant compliment. They have no pretence to argument, or even to meaning. He has reported innumerable observations made by himself in the course of conversation. Of those observations we do not remember one which is above the intellectual capacity of a boy of fifteen. He has printed many of his own letters, and in these letters he is always ranting or twaddling. Logic, eloquence, wit, taste, all those things which are generally considered as making a book valuable, were utterly wanting to him. He had, indeed, a quick observation and a retentive memory. These qualities, if he had been a man of sense and virtue, would scarcely of themselves have sufficed to make him conspicuous; but, because he was a dunce, a parasite, and a coxcomb, they have made him immortal.

Those parts of his book which, considered abstractedly, are most utterly worthless, are delightful when we read them as illustrations of the character of the writer. Bad in themselves, they are good dramatically, like the nonsense of Justice Shallow, the clipped English of Dr. Caius, or the misplaced consonants of Fluellen. Of all confessors, Boswell is the most candid. Other men who have pretended to lay open their own hearts, Rousseau, for example, and Lord Byron, have evidently written with a constant view to effect, and are to be then most distrusted when they seem to be most sincere. There is scarcely any man who would not rather accuse himself of great crimes and of dark and tempestuous passions than proclaim all his little vanities and wild fancies. It would be easier to find a person who would avow actions like those of Cæsar Borgia or Danton, than one who would publish a daydream like those of Alnaschar and Malvolio. Those weaknesses which most men keep covered up in the most secret places of the mind, not to be disclosed to the eye of friendship or of love, were precisely the weaknesses which Boswell paraded before all the world. He was perfectly frank, because the weakness of his understanding and the tumult of his spirits prevented him from knowing when he made himself ridiculous. His book resembles nothing so much as the conversation of the inmates of the Palace of Truth.

His fame is great; and it will, we have no doubt be lasting; but it is fame of a peculiar kind, and indeed marvellously resembles infamy. We remember no other case in which the world has made so great a distinction between a book and its author. In general, the book and the author are considered as one. To admire the book is to admire the author. The case of Boswell is an exception, we think the only exception, to this rule. His work is universally allowed to be interesting, instructive, eminently original: yet it has brought him nothing but contempt. All the world reads it: all the world delights in it: yet we do not remember ever to have read or ever to have heard any expression of respect and admiration for the man to whom we owe so much instruction and amusement. While edition after edition of his book was coming forth, his son, as Mr. Croker tells us, was ashamed of it, and hated to hear it mentioned. This feeling was natural and reasonable. Sir Alexander saw that, in proportion to the celebrity of the work, was the degradation of the author. The very editors of this unfortunate gentleman's books have forgotten their allegiance, and like those Puritan casuists who took arms by the authority of the king against his person, have attacked the writer while doing homage to the writings. Mr. Croker, for example, has published two thousand five hundred notes on the life of Johnson, and yet scarcely ever mentions the biographer whose performance he has taken such pains to illustrate without some expression of contempt.

An ill-natured man Boswell certainly was not. Yet the malignity of the most malignant satirist could scarcely cut deeper than his thoughtless loquacity. Having himself no sensibility to derision and contempt, he took it for granted that all others were equally callous. He was not ashamed to exhibit himself to the whole world as a common spy, a common tattler, a humble companion without the excuse of poverty, and to tell a hundred stories of his own pertness and folly, and of the insults which his pertness and folly brought upon him. It was natural that he should show little discretion in cases in which the feelings or the honour of others might be concerned No man, surely, ever published such stories respecting persons whom he professed to love and revere. He would infallibly have made his hero as contemptible as he has made himself, had not his hero really possessed some moral and intellectual qualities of a very high order. The best proof that Johnson was really an extraordinary man is that his character, instead of being degraded, has, on the whole, been decidedly raised by a work in which all his vices and weaknesses are exposed more unsparingly than they ever were exposed by Churchill or by Kenrick.

Johnson grown old, Johnson in the fulness of his fame and in the enjoyment of a competent fortune, is better known to us than any other man in history. Every thing about him, his coat, his wig, his figure, his face, his scrofula, his St. Vitus's dance, his rolling walk, his blinking eye, the outward signs which too clearly marked his approbation of his dinner, his insatiable appetite for fish-sauce and veal-pie with plums, his inextinguishable thirst for tea, his trick of touching the posts as he walked, his mysterious practice of treasuring up scraps of orange-peel, his morning slumbers, his midnight disputations, his contortions, his mutterings, his gruntings, his puffings, his vigorous, acute and ready eloquence, his sarcastic wit, his vehemence, his insolence, his fits of tempestuous rage, his queer inmates, old Mr. Levett and blind Mrs. Williams, the cat Hodge and the negro Frank all are as familiar to us as the objects by which we have been surrounded from childhood. But we have no minute information respecting those years of Johnson's life during which his character and his manners became immutably fixed. We know him, not as he was known to the men of his own generation, but as he was known to men whose father he might have been. That celebrated club of which he was the most distinguished member contained few persons who could remember a time when his fame was not fully established and his habits completely formed. He had made himself a name in literature while Reynolds and the Wartons were still boys. He was about twenty years older than Burke, Goldsmith, and Gerard Hamilton, about thirty years older than Gibbon, Beauclerk, and Langton, and about forty years older than Lord Stowell, Sir William Jones, and Windham. Boswell and Mrs. Thrale, the two writers from whom we derive most of our knowledge respecting him, never saw him till long after he was fifty years old, till most of his great works had become classical, and till the pension bestowed on him by the Crown had placed him above poverty. Of those eminent men who were his most intimate associates towards the close of his life, the only one, as far as we remember, who knew him during the first ten or twelve years of his residence in the capital, was David Garrick; and it does not appear that, during those years, David Garrick saw much of his fellow-townsman.

Johnson came up to London precisely at the time when the condition of a man of letters was most miserable and degraded. It was a dark night between two sunny days. The age of patronage had passed away. The age of general curiosity and intelligence had not arrived. The number of readers is at present so great that a popular author may subsist in comfort and opulence on the profits of his works. In the reigns of William the Third, of Anne, and of George the First, even such men as Congreve and Addison would scarcely have been able to live like gentlemen by the mere sale of their writings. But the deficiency of the natural demand for literature was, at the close of the seventeenth and at the beginning of the eighteenth century, more than made up by artificial encouragement, by a vast system of bounties and premiums. There was, perhaps, never a time at which the rewards of literary merit were so splendid, at which men who could write well found such easy admittance into the most distinguished society, and to the highest honours of the state. The chiefs of both the great parties into which the kingdom was divided patronised literature with emulous munificence. Congreve, when he had scarcely attained his majority, was rewarded for his first comedy with places which made him independent for life. Smith, though his Hippolytus and Phædra failed, would have been consoled with three hundred a year but for his own folly. Rowe was not only Poet Laureate, but also land-surveyor of the customs in the port of London, clerk of the council to the Prince of Wales, and secretary of the Presentations to the Lord Chancellor. Hughes was secretary to the Commissions of the Peace. Ambrose Philips was judge of the Prerogative Court in Ireland. Locke was Commissioner of Appeals and of the Board of Trade. Newton was Master of the Mint. Stepney and Prior were employed in embassies of high dignity and importance. Gay, who commenced life as apprentice to a silk mercer, became a secretary of legation at five-and-twenty. It was to a poem on the Death of Charles the Second, and to the City and Country Mouse that Montague owed his introduction into public life, his earldom, his garter, and his Auditorship of the Exchequer. Swift, but for the unconquerable prejudice of the queen, would have been a bishop. Oxford, with his white staff in his hand, passed through the crowd of his suitors to welcome Parnell, when that ingenious writer deserted the Whigs. Steele was a commissioner of stamps and a member of Parliament. Arthur Mainwaring was a commissioner of the customs, and auditor of the imprest. Tickell was secretary to the Lords Justices of Ireland. Addison was secretary of state.

This liberal patronage was brought into fashion as it seems, by the magnificent Dorset, almost the only noble versifier in the court of Charles the Second who possessed talents for composition which were independent of the aid of a coronet. Montague owed his elevation to the favour of Dorset, and imitated through the whole course of his life the liberality to which he was himself so greatly indebted. The Tory leaders, Harley and Bolingbroke in particular, vied with the chiefs of the Whig party in zeal for the encouragement of letters. But soon after the accession of the house of Hanover a change took place. The supreme power passed to a man who cared little for poetry or eloquence. The importance of the House of Commons was constantly on the increase. The government was under the necessity of bartering for Parliamentary support much of that patronage which had been employed in fostering literary merit; and Walpole was by no means inclined to divert any part of the fund of corruption to purposes which he considered as idle. He had eminent talents for government and for debate. But he had paid little attention to books, and felt little respect for authors. One of the coarse jokes of his friend, Sir Charles Hanbury Williams, was far more pleasing to him than Thomson's Seasons or Richardson's Pamela. He had observed that some of the distinguished writers whom the favour of Halifax had turned into statesmen had been mere encumbrances to their party, dawdlers in office, and mutes in Parliament. During the whole course of his administration, therefore, he scarcely befriended a single man of genius. The best writers of the age gave all their support to the opposition, and contributed to excite that discontent which, after plunging the nation into a foolish and unjust war, overthrew the minister to make room for men less able and equally immoral. The opposition could reward its eulogists with little more than promises and caresses. St. James's would give nothing: Leicester house had nothing to give.

Thus, at the time when Johnson commenced his literary career, a writer had little to hope from the patronage of powerful individuals. The patronage of the public did not yet furnish the means of comfortable subsistence. The prices paid by booksellers to authors were so low that a man of considerable talents and unremitting industry could do little more than provide for the day which was passing over him. The lean kine had eaten up the fat kine. The thin and withered ears had devoured the good ears. The season of rich harvests was over, and the period of famine had begun. All that is squalid and miserable might now be summed up in the word Poet. That word denoted a creature dressed like a scarecrow, familiar with compters and spunging-houses, and perfectly qualified to decide on the comparative merits of the Common Side in the King's Bench prison and of Mount Scoundrel in the Fleet. Even the poorest pitied him; and they well might pity him. For if their condition was equally abject, their aspirings were not equally high, nor their sense of insult equally acute. To lodge in a garret up four pair of stairs, to dine in a cellar among footmen out of place, to translate ten hours a day for the wages of a ditcher, to be hunted by bailiffs from one haunt of beggary and pestilence to another, from Grub Street to St. George's Fields, and from St. George's Fields to the alleys behind St. Martin's church, to sleep on a bulk in June and amidst the ashes of a glass-house in December, to die in an hospital and to be buried in a parish vault, was the fate of more than one writer who, if he had lived thirty years earlier, would have been admitted to the sittings of the Kitcat or the Scriblerus club, would have sat in Parliament, and would have been entrusted with embassies to the High Allies; who, if he had lived in our time, would have found encouragement scarcely less munificent in Albemarle Street or in Paternoster Row.

As every climate has its peculiar diseases, so every walk of life has its peculiar temptations. The literary character, assuredly, has always had its share of faults, vanity, jealousy, morbid sensibility. To these faults were now superadded the faults which are commonly found in men whose livelihood is precarious, and whose principles are exposed to the trial of severe distress. All the vices of the gambler and of the beggar were blended with those of the author. The prizes in the wretched lottery of book-making were scarcely less ruinous than the blanks. If good fortune came, it came in such a manner that it was almost certain to be abused. After months of starvation and despair, a full third night or a well-received dedication filled the pocket of the lean, ragged, unwashed poet with guineas. He hastened to enjoy those luxuries with the images of which his mind had been haunted while he was sleeping amidst the cinders and eating potatoes at the Irish ordinary in Shoe Lane. A week of taverns soon qualified him for another year of night-cellars. Such was the life of Savage, of Boyse, and of a crowd of others. Sometimes blazing in gold-laced hats and waistcoats; sometimes lying in bed because their coats had gone to pieces, or wearing paper cravats because their linen was in pawn; sometimes drinking Champagne and Tokay with Betty Careless; sometimes standing at the window of an eating-house in Porridge island, to snuff up the scent of what they could not afford to taste; they knew luxury; they knew beggary; but they never knew comfort. These men were irreclaimable. They looked on a regular and frugal life with the same aversion which an old gipsy or a Mohawk hunter feels for a stationary abode, and for the restraints and securities of civilised communities. They were as untameable, as much wedded to their desolate freedom, as the wild ass. They could no more be broken in to the offices of social man than the unicorn could be trained to serve and abide by the crib. It was well if they did not, like beasts of a still fiercer race, tear the hands which ministered to their necessities. To assist them was impossible; and the most benevolent of mankind at length became weary of giving relief which was dissipated with the wildest profusion as soon as it had been received. If a sum was bestowed on the wretched adventurer, such as, properly husbanded, might have supplied him for six months, it was instantly spent in strange freaks of sensuality, and, before forty-eight hours had elapsed, the poet was again pestering all his acquaintance for twopence to get a plate of shin of beef at a subterraneous cook-shop. If his friends gave him an asylum in their houses, those houses were forthwith turned into bagnios and taverns. All order was destroyed; all business was suspended. The most good-natured host began to repent of his eagerness to serve a man of genius in distress when he heard his guest roaring for fresh punch at five o'clock in the morning.

A few eminent writers were more fortunate. Pope had been raised above poverty by the active patronage which, in his youth, both the great political parties had extended to his Homer. Young had received the only pension ever bestowed, to the best of our recollection, by Sir Robert Walpole, as the reward of mere literary merit. One or two of the many poets who attached themselves to the opposition, Thomson in particular and Mallet, obtained, after much severe suffering, the means of subsistence from their political friends. Richardson, like a man of sense, kept his shop; and his shop kept him, which his novels, admirable as they are, would scarcely have done. But nothing could be more deplorable than the state even of the ablest men, who at that time depended for subsistence on their writings. Johnson, Collins, Fielding, and Thomson, were certainly four of the most distinguished persons that England produced during the eighteenth century. It is well known that they were all four arrested for debt.

Into calamities and difficulties such as these Johnson plunged in his twenty-eighth year. From that time till he was three or four and fifty, we have little information respecting him; little, we mean, compared with the full and accurate information which we possess respecting his proceedings and habits towards the close of his life. He emerged at length from cock-lofts and sixpenny ordinaries into the society of the polished and the opulent. His fame was established. A pension sufficient for his wants had been conferred on him: and he came forth to astonish a generation with which he had almost as little in common as with Frenchmen or Spaniards.

In his early years he had occasionally seen the great; but he had seen them as a beggar. He now came among them as a companion. The demand for amusement and instruction had, during the course of twenty years, been gradually increasing. The price of literary labour had risen; and those rising men of letters with whom Johnson was henceforth to associate were for the most part persons widely different from those who had walked about with him all night in the streets for want of a lodging. Burke, Robertson, the Wartons, Gray, Mason, Gibbon, Adam Smith, Beattie, Sir William Jones, Goldsmith, and Churchill, were the most distinguished writers of what may be called the second generation of the Johnsonian age. Of these men Churchill was the only one in whom we can trace the stronger lineaments of that character which, when Johnson first came up to London, was common among authors. Of the rest, scarcely any had felt the pressure of severe poverty. Almost all had been early admitted into the most respectable society on an equal footing. They were men of quite a different species from the dependents of Curll and Osborne.

Johnson came among them the solitary specimen of a past age, the last survivor of the genuine race of Grub Street hacks; the last of that generation of authors whose abject misery and whose dissolute manners had furnished inexhaustible matter to the satirical genius of Pope. From nature, he had received an uncouth figure, a diseased constitution, and an irritable temper. The manner in which the earlier years of his manhood had been passed had given to his demeanour, and even to his moral character, some peculiarities appalling to the civilised beings who were the companions of his old age. The perverse irregularity of his hours, the slovenliness of his person, his fits of strenuous exertion, interrupted by long intervals of sluggishness, his strange abstinence, and his equally strange voracity, his active benevolence, contrasted with the constant rudeness and the occasional ferocity of his manners in society, made him, in the opinion of those with whom he lived during the last twenty years of his life, a complete original. An original he was, undoubtedly, in some respects. But if we possessed full information concerning those who shared his early hardships, we should probably find that what we call his singularities of manner were, for the most part, failings which he had in common with the class to which he belonged. He ate at Streatham Park as he had been used to eat behind the screen at St. John's Gate, when he was ashamed to show his ragged clothes. He ate as it was natural that a man should eat, who, during a great part of his life, had passed the morning in doubt whether he should have food for the afternoon. The habits of his early life had accustomed him to bear privation with fortitude, but not to taste pleasure with moderation. He could fast; but, when he did not fast, he tore his dinner like a famished wolf, with the veins swelling on his forehead, and the perspiration running down his cheeks. He scarcely ever took wine. But when he drank it, he drank it greedily and in large tumblers. These were, in fact, mitigated symptoms of that same moral disease which raged with such deadly malignity in his friends Savage and Boyse. The roughness and violence which he showed in society were to be expected from a man whose temper, not naturally gentle, had been long tried by the bitterest calamities, by the want of meat, of fire, and of clothes, by the importunity of creditors, by the insolence of booksellers, by the derision of fools, by the insincerity of patrons, by that bread which is the bitterest of all food, by those stairs which are the most toilsome of all paths, by that deferred hope which makes .the heart sick. Through all these things the ill-dressed, coarse, ungainly pedant had struggled manfully up to eminence and command. It was natural that, in the exercise of his power, he should be "eo immitior, quia toleraverat," that, though his heart was undoubtedly generous and humane, his demeanour in society should be harsh and despotic. For severe distress he had sympathy, and not only sympathy, but munificent relief. But for the suffering which a harsh world inflicts upon a delicate mind he had no pity; for it was a kind of suffering which he could scarcely conceive. He would carry home on his shoulders a sick and starving girl from the streets. He turned his house into a place of refuge for a crowd of wretched old creatures who could find no other asylum; nor could all their peevishness and ingratitude weary out his benevolence. But the pangs of wounded vanity seemed to him ridiculous; and he scarcely felt sufficient compassion even for the pangs of wounded affection. He had seen and felt so much of sharp misery, that he was not affected by paltry vexations; and he seemed to think that everybody ought to be as much hardened to those vexations as himself. He was angry with Boswell for complaining of a headache, with Mrs. Thrale for grumbling about the dust on the road, or the smell of the kitchen. These were, in his phrase, "foppish lamentations," which people ought to be ashamed to utter in a world so full of sin and sorrow. Goldsmith crying because the Good-natured Man had failed, inspired him with no pity. Though his own health was not good, he detested and despised valetudinarians. Pecuniary losses, unless they reduced the loser absolutely to beggary, moved him very little. People whose hearts had been softened by prosperity might weep, he said, for such events; but all that could be expected of a plain man was not to laugh. He was not much moved even by the spectacle of Lady Tavistock dying of a broken heart for the loss of her lord. Such grief he considered as a luxury reserved for the idle and the wealthy. A washerwoman, left a widow with nine small children, would not have sobbed herself to death.

A person who troubled himself so little about small or sentimental grievances was not likely to be very attentive to the feelings of others in the ordinary intercourse of society. He could not understand how a sarcasm or a reprimand could make any man really unhappy. "My dear doctor," said he to Goldsmith, "what harm does it do to a man to call him Holofernes?" "Pooh, ma'am," he exclaimed to Mrs. Carter, "who is the worse for being talked of uncharitably?" Politeness has been well defined as benevolence in small things. Johnson was impolite, not because he wanted benevolence, but because small things appeared smaller to him than to people who had never known what it was to live for four-pence halfpenny a day.

The characteristic peculiarity of his intellect was the union of great powers with low prejudices. If we judged of him by the best parts of his mind, we should place him almost as high as he was placed by the idolatry of Boswell; if by the worst parts of his mind, we should place him even below Boswell himself. Where he was not under the influence of some strange scruple or some domineering passion, which prevented him from boldly and fairly investigating a subject, he was a wary and acute reasoner, a little too much inclined to scepticism, and a little too fond of paradox. No man was less likely to be imposed upon by fallacies in argument or by exaggerated statements of fact. But if, while he was beating down sophisms and exposing false testimony, some childish prejudices, such as would excite laughter in a well managed nursery, came across him, he was smitten, as if by enchantment. His mind dwindled away under the spell from gigantic elevation to dwarfish littleness Those who had lately been admiring its amplitude and its force were now as much astonished at its strange narrowness and feebleness as the fisherman in the Arabian tale, when he saw the Genie, whose stature had overshadowed the whole sea-coast, and whose might seemed equal to a contest with armies, contract himself to the dimensions of his small prison, and lie there the helpless slave of the charm of Solomon.

Johnson was in the habit of sifting with extreme severity the evidence for all stories which were merely odd. But when they were not only odd but miraculous, his severity relaxed. He began to be credulous precisely at the point where the most credulous people begin to be sceptical. It is curious to observe, both in his writings and in his conversation, the contrast between the disdainful manner in which he rejects unauthenticated anecdotes, even when they are consistent with the general laws of nature, and the respectful manner in which he mentions the wildest stories relating to the invisible world. A man who told him of a waterspout or a meteoric stone generally had the lie direct given him for his pains. A man who told him of a prediction or a dream wonderfully accomplished was sure of a courteous hearing. "Johnson," observed Hogarth, "like King David, says in his haste that all men are liars." "His incredulity," says Mrs. Thrale, "amounted almost to disease." She tells us how he browbeat a gentleman who gave him an account of a hurricane in the West Indies, and a poor quaker who related some strange circumstance about the red-hot balls fired at the siege of Gibraltar. "It is not so. It cannot be true. Don't tell that story again. You cannot think how poor a figure you make in telling it." He once said, half jestingly we suppose, that for six months he refused to credit the fact of the earthquake at Lisbon, and that he still believed the extent of the calamity to be greatly exaggerated. Yet he related with a grave face how old Mr. Cave of St. John's Gate saw a ghost, and how this ghost was something of a shadowy being. He went himself on a ghost hunt to Cock Lane, and was angry with John Wesley for not following up another scent of the same kind with proper spirit and perseverance. He rejects the Celtic genealogies and poems without the least hesitation; yet he declares himself willing to believe the stories of the second sight. If he had examined the claims of the Highland seers with half the severity with which he sifted the evidence for the genuineness of Fingal, he would, we suspect, have come away from Scotland with a mind fully made up. In his Lives of the Poets, we find that he is unwilling to give credit to the accounts of Lord Roscommon's early proficiency in his studies: but he tells with great solemnity an absurd romance about some intelligence preternaturally impressed on the mind of that nobleman. He avows himself to be in great doubt about the truth of the story, and ends by warning his readers not wholly to slight such impressions.

Many of his sentiments on religious subjects are worthy of a liberal and enlarged mind. He could discern clearly enough the folly and meanness of all bigotry except his own. When he spoke of the scruples of the Puritans, he spoke like a person who had really obtained an insight into the divine philosophy of the New Testament, and who considered Christianity as a noble scheme of government, tending to promote the happiness and to elevate the moral nature of man. The horror which the sectaries felt for cards, Christmas ale, plum-porridge, mince pies, and dancing bears, excited his contempt. To the arguments urged by some very worthy people against showy dress he replied with admirable sense and spirit, "Let us not be found, when our Master calls us, stripping the lace off our waistcoats, but the spirit of contention from our souls and tongues. Alas! sir, a man who cannot get to heaven in a green coat will not find his way thither the sooner in a grey one." Yet he was himself under the tyranny of scruples as unreasonable as those of Hudibras or Ralpho, and carried his zeal for ceremonies and for ecclesiastical dignities to lengths altogether inconsistent with reason or with Christian charity. He has gravely noted down in his diary that he once committed the sin of drinking coffee on Good Friday. In Scotland, he thought it his duty to pass several months without joining in public worship, solely because the ministers of the kirk had not been ordained by bishops. His mode of estimating the piety of his neighbours was somewhat singular. "Campbell," said he, "is a good man, a pious man. I am afraid he has not been in the inside of a church for many years; but he never passes a church without pulling off his hat: this shows he has good principles." Spain and Sicily must surely contain many pious robbers and well-principled assassins. Johnson could easily see that a Roundhead who named all his children after Solomon's singers, and talked in the House of Commons about seeking the Lord, might be an unprincipled villain whose religious mummeries only aggravated his guilt. But a man who took off his hat when he passed a church episcopally consecrated must be a good man, a pious man, a man of good principles. Johnson could easily see that those persons who looked on a dance or a laced waistcoat as sinful, deemed most ignobly of the attributes of God and of the ends of revelation. But with what a storm of invective he would have overwhelmed any man who had blamed him for celebrating the redemption of mankind with sugarless tea and butterless buns.

Nobody spoke more contemptuously of the cant of patriotism. Nobody saw more clearly the error of those who regarded liberty, not as a means, but as an end, and who proposed to themselves, as the object of their pursuit, the prosperity of the state as distinct from the prosperity of the individuals who compose the state. His calm and settled opinion seems to have been that forms of government have little or no influence on the happiness of society. This opinion, erroneous as it is, ought at least to have preserved him from all intemperance on political questions. It did not, however, preserve him from the lowest, fiercest, and most absurd extravagances of party-spirit, from rants which, in every thing but the diction, resembled those of Squire Western. He was, as a politician, half ice and half fire. On the side of his intellect he was a mere Pococurante, far too apathetic about public affairs, far too sceptical as to the good or evil tendency of any form of polity. His passions on the contrary, were violent even to slaying against all who leaned to Whiggish principles. The well-known lines which he inserted in Goldsmith's Traveller express what seems to have been his deliberate judgment:

"How small, of all that human hearts endure,
That part which kings or laws can cause or cure!"
He had previously put expressions very similar into the mouth of Rasselas. It is amusing to contrast these passages with the torrents of raving abuse which he poured forth against the Long Parliament and the American Congress. In one of the conversations reported by Boswell this inconsistency displays itself in the most ludicrous manner.

"Sir Adam Ferguson," says Boswell, "suggested that luxury corrupts a people, and destroys the spirit of liberty." JOHNSON: "Sir, that is all visionary. I would not give half a guinea to live under one form of government rather than another. It is of no moment to the happiness of an individual. Sir, the danger of the abuse of power is nothing to a private man. What Frenchman is prevented passing his life as he pleases?" SIR ADAM: "But, sir, in the British constitution it is surely of importance to keep up a spirit in the people, so as to preserve a balance against the crown." JOHNSON: "Sir, I perceive you are a vile Whig. Why all this childish jealousy of the power of the crown? The crown has not power enough."

One of the old philosophers, Lord Bacon tells us, used to say that life and death were just the same to him. "Why then," said an objector, "do you not kill yourself?" The philosopher answered, "Because it is just the same." If the difference between two forms of government be not worth half a guinea, it is not easy to see how Whiggism can be viler than Toryism, or how the crown can have too little power. If the happiness of individuals is not affected by political abuses, zeal for liberty is doubtless ridiculous. But zeal for monarchy must be equally so. No person would have been more quick-sighted than Johnson to such a contradiction as this in the logic of an antagonist.

The judgments which Johnson passed on books were, in his own time, regarded with superstitious veneration, and, in our time, are generally treated with indiscriminate contempt. They are the judgments of a strong but enslaved understanding. The mind of the critic was hedged round by an uninterrupted fence of prejudices and superstitions. Within his narrow limits, he displayed a vigour and an activity which ought to have enabled him to clear the barrier that confined him.

How it chanced that a man who reasoned on his premises so ably, should assume his premises so foolishly, is one of the great mysteries of human nature. The same inconsistency may be observed in the schoolmen of the middle ages. Those writers show so much acuteness and force of mind in arguing on their wretched data, that a modern reader is perpetually at a loss to comprehend how such minds came by such data. Not a flaw in the superstructure of the theory which they are rearing escapes their vigilance. Yet they are blind to the obvious unsoundness of the foundation. It is the same with some eminent lawyers. Their legal arguments are intellectual prodigies, abounding with the happiest analogies and the most refined distinctions. The principles of their arbitrary science being once admitted, the statute-book and the reports being once assumed as the foundations of reasoning, these men must be allowed to be perfect masters of logic. But if a question arises as to the postulates on which their whole system rests, if they are called upon to vindicate the fundamental maxims of that system which they have passed their lives in studying, these very men often talk the language of savages or of children. Those who have listened to a man of this class in his own court, and who have witnessed the skill with which he analyses and digests a vast mass of evidence, or reconciles a crowd of precedents which at first sight seem contradictory, scarcely know him again when, a few hours later, they hear him speaking on the other side of Westminster Hall in his capacity of legislator. They can scarcely believe that the paltry quirks which are faintly heard through a storm of coughing, and which do not impose on the plainest country gentleman, can proceed from the same sharp and vigorous intellect which had excited their admiration under the same roof, and on the same day.

Johnson decided literary questions like a lawyer, not like a legislator. He never examined foundations where a point was already ruled. His whole code of criticism rested on pure assumption, for which he sometimes quoted a precedent or an authority, but rarely troubled himself to give a reason drawn from the nature of things. He took it for granted that the kind of poetry which flourished in his own time, which he had been accustomed to hear praised from his childhood, and which he had himself written with success, was the best kind of poetry. In his biographical work he has repeatedly laid it down as an undeniable proposition that during the latter part of the seventeenth century, and the earlier part of the eighteenth, English poetry had been in a constant progress of improvement. Waller, Denham, Dryden, and Pope, had been, according to him, the great reformers. He judged of all works of the imagination by the standard established among his own contemporaries. Though he allowed Homer to have been a greater man than Virgil, he seems to have thought the Æneid a greater poem than the Iliad. Indeed he well might have thought so; for he preferred Pope's Iliad to Homer's. He pronounced that, after Hoole's translation of Tasso, Fairfax's would hardly be reprinted. He could see no merit in our fine old English ballads, and always spoke with the most provoking contempt of Percy's fondness for them. Of the great original works of imagination which appeared during his time, Richardson's novels alone excited his admiration. He could see little or no merit in Tom Jones, in Gulliver's Travels, or in Tristram Shandy. To Thomson's Castle of Indolence, he vouchsafed only a line of cold commendation, of commendation much colder than what he has bestowed on the Creation of that portentous bore, Sir Richard Blackmore. Gray was, in his dialect, a barren rascal. Churchill was a blockhead. The contempt which he felt for the trash of Macpherson was indeed just, but it was, we suspect, just by chance. He despised the Fingal for the very reason which led many men of genius to admire it. He despised it, not because it was essentially common-place, but because it had a superficial air of originality.

He was undoubtedly an excellent judge of compositions fashioned on his own principles. But when a deeper philosophy was required, when he undertook to pronounce judgment on the works of those great minds which "yield homage only to eternal laws," his failure was ignominious. He criticised Pope's Epitaphs excellently. But his observations on Shakspeare's plays and Milton's poems seem to us for the most part as wretched as if they had been written by Rymer himself, whom we take to have been the worst critic that ever lived.

Some of Johnson's whims on literary subjects can be compared only to that strange nervous feeling which made him uneasy if he had not touched every post between the Mitre tavern and his own lodgings. His preference of Latin epitaphs to English epitaphs is an instance. An English epitaph, he said, would disgrace Smollett. He declared that he would not pollute the walls of Westminster Abbey with an English epitaph on Goldsmith. What reason there can be for celebrating a British writer in Latin, which there was not for covering the Roman arches of triumph with Greek inscriptions, or for commemorating the deeds of the heroes of Thermopylæ in Egyptian hieroglyphics, we are utterly unable to imagine.

On men and manners, at least on the men and manners of a particular place and a particular age, Johnson had certainly looked with a most observant and discriminating eye. His remarks on the education of children, on marriage, on the economy of families, on the rules of society, are always striking, and generally sound. In his writings, indeed, the knowledge of life which he possessed in an eminent degree is very imperfectly exhibited. Like those unfortunate chiefs of the middle ages who were suffocated by their own chain-mail and cloth of gold, his maxims perish under that load of words which was designed for their defence and their ornament. But it is clear from the remains of his conversation, that he had more of that homely wisdom which nothing but experience and observation can give than any writer since the time of Swift. If he had been content to write as he talked, he might have left books on the practical art of living superior to the Directions to Servants.

Yet even his remarks on society, like his remarks on literatures indicate a mind at least as remarkable for narrowness as for strength. He was no master of the great science of human nature. He had studied, not the genus man, but the species Londoner. Nobody was ever so thoroughly conversant with all the forms of life and all the shades of moral and intellectual character which were to be seen from Islington to the Thames, and from Hyde-Park corner to Mile-end green. But his philosophy stopped at the first turnpike-gate. Of the rural life of England he knew nothing, and he took it for granted that every body who lived in the country was either stupid or miserable. "Country gentlemen," said he, "must be unhappy; for they have not enough to keep their lives in motion; "as if all those peculiar habits and associations which made Fleet Street and Charing Cross the finest views in the world to himself had been essential parts of human nature. Of remote countries and past times he talked with wild and ignorant presumption. "The Athenians of the age of Demosthenes," he said to Mrs. Thrale, "were a people of brutes, a barbarous people." In conversation with Sir Adam Ferguson he used similar language. "The boasted Athenians," he said, "were barbarians. The mass of every people must be barbarous where there is no printing." The fact was this: he saw that a Londoner who could not read was a very stupid and brutal fellow: he saw that great refinement of taste and activity of intellect were rarely found in a Londoner who had not read much; and, because it was by means of books that people acquired almost all their knowledge in the society with which he was acquainted, he concluded, in defiance of the strongest and clearest evidence that the human mind can be cultivated by means of books alone. An Athenian citizen might possess very few volumes; and the largest library to which he had access might be much less valuable than Johnson's bookcase in Bolt Court. But the Athenian might pass every morning in conversation with Socrates, and might hear Pericles speak four or five times every month. He saw the plays of Sophocles and Aristophanes: he walked amidst the friezes of Phidias and the paintings of Zeuxis: he knew by heart the choruses of Æschylus: he heard the rhapsodist at the corner of the street reciting the Shield of Achilles or the Death of Argus: he was a legislator, conversant with high questions of alliance, revenue, and war: he was a soldier, trained under a liberal and generous discipline: he was a judge, compelled every day to weigh the effect of opposite arguments. These things were in themselves an education, an education eminently fitted, not, indeed, to form exact or profound thinkers, but to give quickness to the perceptions, delicacy to the taste, fluency to the expression, and politeness to the manners. All this was overlooked. An Athenian who did not improve his mind by reading was, in Johnson's opinion, much such a person as a Cockney who made his mark, much such a person as black Frank before he went to school, and far inferior to a parish clerk or a printer's devil.

Johnson's friends have allowed that he carried to a ridiculous extreme his unjust contempt for foreigners. He pronounced the French to be a very silly people, much behind us, stupid, ignorant creatures. And this judgment he formed after having been at Paris about a month, during which he would not talk French, for fear of giving the natives an advantage over him in conversation. He pronounced them, also, to be an indelicate people, because a French footman touched the sugar with his fingers. That ingenious and amusing traveller, M. Simond, has defended his countrymen very successfully against Johnson's accusation, and has pointed out some English practices which, to an impartial spectator, would seem at least as inconsistent with physical cleanliness and social decorum as those which Johnson so bitterly reprehended. To the sage, as Boswell loves to call him, it never occurred to doubt that there must be something eternally and immutably good in the usages to which he had been accustomed. In fact, Johnson's remarks on society beyond the bills of mortality, are generally of much the same kind with those of honest Tom Dawson, the English footman in Dr. Moore's Zeluco. "Suppose the king of France has no sons, but only a daughter, then, when the king dies, this here daughter, according to that there law, cannot be made queen, but the next near relative, provided he is a man, is made king, and not the last king's daughter, which, to be sure, is very unjust. The French footguards are dressed in blue, and all the marching regiments in white, which has a very foolish appearance for soldiers; and as for blue regimentals, it is only fit for the blue horse or the artillery."

Johnson's visit to the Hebrides introduced him to a state of society completely new to him; and a salutary suspicion of his own deficiencies seems on that occasion to have crossed his mind for the first time. He confessed, in the last paragraph of his Journey, that his thoughts on national manners were the thoughts of one who had seen but little, of one who had passed his time almost wholly in cities. This feeling, however, soon passed away. It is remarkable that to the last he entertained a fixed contempt for all those modes of life and those studies which tend to emancipate the mind from the prejudices of a particular age or a particular nation. Of foreign travel and of history he spoke with the fierce and boisterous contempt of ignorance. "What does a man learn by travelling? Is Beauclerk the better for travelling? What did Lord Charlemont learn in his travels, except that there was a snake in one of the pyramids of Egypt?" History was, in his opinion, to use the fine expression of Lord Plunkett, an old almanack: historians could, as he conceived, claim no higher dignity than that of almanack-makers; and his favourite historians were those who, like Lord Hailes, aspired to no higher dignity. He always spoke with contempt of Robertson. Hume he would not even read. He affronted one of his friends for talking to him about Catiline's conspiracy, and declared that he never desired to hear of the Punic war again as long as he lived.

Assuredly one fact which does not directly affect our own interests, considered in itself, is no better worth knowing than another fact. The fact that there is a snake in a pyramid, or the fact that Hannibal crossed the Alps, are in themselves as unprofitable to us as the fact that there is a green blind in a particular house in Threadneedle Street, or the fact that a Mr. Smith comes in to the city every morning on the top of one of the Blackwall stages. But it is certain that those who will not crack the shell of history will never get at the kernel. Johnson, with hasty arrogance, pronounced the kernel worthless, because he saw no value in the shell. The real use of travelling to distant countries and of studying the annals of past times is to preserve men from the contraction of mind which those can hardly escape whose whole communion is with one generation and one neighbourhood, who arrive at conclusions by means of an induction not sufficiently copious, and who therefore constantly confound exceptions with rules, and accidents with essential properties. In short, the real use of travelling and of studying history is to keep men from being what Tom Dawson was in fiction, and Samuel Johnson in reality.

Johnson, as Mr. Burke most justly observed, appears far greater in Boswell's books than in his own. His conversation appears to have been quite equal to his writings in matter, and far superior to them in manner. When he talked, he clothed his wit and his sense in forcible and natural expressions. As soon as he took his pen in his hand to write for the public, his style became systematically vicious. All his books are written in a learned language, in a language which nobody hears from his mother or his nurse, in a language in which nobody ever quarrels, or drives bargains, or makes love, in a language in which nobody ever thinks. It is clear that Johnson himself did not think in the dialect in which he wrote. The expressions which came first to his tongue were simple, energetic, and picturesque. When he wrote for publication, he did his sentences out of English into Johnsonese. His letters from the Hebrides to Mrs. Thrale are the original of that work of which the Journey to the Hebrides is the translation; and it is amusing to compare the two versions. "When we were taken up stairs," says he in one of his letters, "a dirty fellow bounced out of the bed on which one of us was to lie." This incident is recorded in the Journey as follows: "Out of one of the beds on which we were to repose started up, at our entrance, a man black as a Cyclops from the forge." Sometimes Johnson translated aloud. "The Rehearsal," he said, very unjustly, "has not wit enough to keep it sweet ;" then, after a pause, "it has not vitality enough to preserve it from putrefaction."

Mannerism is pardonable, and is sometimes even agreeable, when the manner, though vicious, is natural. Few readers, for example, would be willing to part with the mannerism of Milton or of Burke. But a mannerism which does not sit easy on the mannerist, which has been adopted on principle, and which can be sustained only by constant effort, is always offensive. And such is the mannerism of Johnson.

The characteristic faults of his style are so familiar to all our readers, and have been so often burlesqued, that it is almost superfluous to point them out. It is well known that he made less use than any other eminent writer of those strong plain words, Anglo-Saxon or Norman-French, of which the roots lie in the inmost depths of our language; and that he felt a vicious partiality for terms which, long after our own speech had been fixed, were borrowed from the Greek and Latin, and which, therefore, even when lawfully naturalised, must be considered as born aliens, not entitled to rank with the king's English. His constant practice of padding out a sentence with useless epithets, till it became as stiff as the bust of an exquisite, his antithetical forms of expression, constantly employed even where there is no opposition in the ideas expressed, his big words wasted on little things, his harsh inversions, so widely different from those graceful and easy inversions which give variety, spirit, and sweetness to the expression of our great old writers, all these peculiarities have been imitated by his admirers and parodied by his assailants, till the public has become sick of the subject.

Goldsmith said to him, very wittily and very justly, "If you were to write a fable about little fishes, doctor, you would make the little fishes talk like whales." No man surely ever had so little talent for personation as Johnson. Whether he wrote in the character of a disappointed legacy-hunter or an empty town fop, of a crazy virtuoso or a flippant coquette, he wrote in the same pompous and unbending style. His speech, like Sir Piercy Shafton's Euphuistic eloquence, bewrayed him under every disguise. Euphelia and Rhodoclea talk as finely as Imlac the poet or Seged, Emperor of Ethiopia. The gay Cornelia describes her reception at the country-house of her relations, in such terms as these: "I was surprised, after the civilities of my first reception, to find, instead of the leisure and tranquillity which a rural life always promises, and, if well conducted, might always afford, a confused wildness of care, and a tumultuous hurry of diligence, by which every face was clouded, and every motion agitated." The gentle Tranquilla informs us, that she "had not passed the earlier part of life without the flattery of courtship, and the joys of triumph; but had danced the round of gaiety amidst the murmurs of envy and the gratulations of applause, had been attended from pleasure to pleasure by the great, the sprightly, and the vain, and had seen her regard solicited by the obsequiousness of gallantry, the gaiety of wit, and the timidity of love." Surely Sir John Falstaff himself did not wear his petticoats with a worse grace. The reader may well cry out, with honest Sir Hugh Evans, "I like not when a 'oman has a great peard: I spy a great peard under her muffler."

We had something more to say. But our article is already too long; and we must close it. We would fain part in good humour from the hero, from the biographer, and even from the editor who, ill as he has performed his task, has at least this claim to our gratitude, that he has induced us to read Boswell's book again. As we close it, the club-room is before us, and the table on which stands the omelet for Nugent, and the lemons for Johnson. There are assembled those heads which live for ever on the canvass of Reynolds. There are the spectacles of Burke and the tall thin form of Langton, the courtly sneer of Beauclerk and the beaming smile of Garrick, Gibbon tapping his snuff-box and Sir Joshua with his trumpet in his ear. In the foreground is that strange figure which is as familiar to us as the figures of those among whom we have been brought up, the gigantic body, the huge massy face, seamed with the scars of disease, the brown coat, the black worsted stockings, the grey wig with the scorched foretop, the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches; we see the heavy form rolling, we hear it puffing; and then comes the "Why, sir!" and the "What then, sir?" and the "No, sir;" and the "You don't see your way through the question, sir!"

What a singular destiny has been that of this remarkable man! To be regarded in his own age as a classic, and in ours as a companion! To receive from his contemporaries that full homage which men of genius have in general received only from posterity! To be more intimately known to posterity than other men are known to their contemporaries! That kind of fame which is commonly the most transient is, in his case, the most durable. The reputation of those writings, which he probably expected to be immortal, is every day fading; while those peculiarities of manner and that careless table-talk the memory of which, he probably thought, would die with him, are likely to be remembered as long as the English language is spoken in any quarter of the globe.